DOI Heft:
No. 89 (Aug. 1900)
DOI Artikel:The decorations of the peninsular and oriental pavilion at the Paris exhibition
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.19785#0182
The Peninsular and Oriental Pavilion
"past and present of navigation" by f. lynn jenkins
—WI—tWiMM t*l<>W*JMTrC!MCTyiWWnMOMMWM'MWIWl temporary art history, it
xtmbvifvt m -a**/ mlmmmBB^^i unites harmoniously several
S-.jj / f' / J) — *\'5*T '-,-" ' I" r—' .
■■^ ^—„ ~~Z?:-Z'-'--~~'jt \ S _- branches of aesthetic accom-
"' \ 's'jf/'t' ''0^"'—'— jf plishment. It has unusual
-.-.-jpX £//, -k ._ _"»_. m claims upon the attention of
,~j *^2SsJ['d' '-' f%\ - - £/ tl \\ \ everyone who is interested
in professional development,
I ^i- >»3^ ^or ^ proves how success-
^N?s!Sssa* fully art of various kinds can
be brought into agreement
Iand combined to give
adequate results. As a
definite object-lesson in
decorative effort it is,
perhaps, most memorable;
it is one of the completest
•cst'—^Si things of its kind that has
coloured relief by g. e. moira and f. l. jenkins been attempted for years.
breadth of effect distin-
guishes, in consequence, the
whole series of his panels.
In the frieze round the
dome he has given himself
greater freedom, and he has
not been so precise in his
technical devices.
Altogether, this Peninsu-
lar and Oriental pavilion
can be pronounced to be
an especially important ex-
ample of artistic collabora-
tion. Designed by one of
our chief architects, and
decorated by two of the
ablest of the younger men
who are busy making con- coloured relief by g. e. moira and f. l. jenkins
156
"past and present of navigation" by f. lynn jenkins
—WI—tWiMM t*l<>W*JMTrC!MCTyiWWnMOMMWM'MWIWl temporary art history, it
xtmbvifvt m -a**/ mlmmmBB^^i unites harmoniously several
S-.jj / f' / J) — *\'5*T '-,-" ' I" r—' .
■■^ ^—„ ~~Z?:-Z'-'--~~'jt \ S _- branches of aesthetic accom-
"' \ 's'jf/'t' ''0^"'—'— jf plishment. It has unusual
-.-.-jpX £//, -k ._ _"»_. m claims upon the attention of
,~j *^2SsJ['d' '-' f%\ - - £/ tl \\ \ everyone who is interested
in professional development,
I ^i- >»3^ ^or ^ proves how success-
^N?s!Sssa* fully art of various kinds can
be brought into agreement
Iand combined to give
adequate results. As a
definite object-lesson in
decorative effort it is,
perhaps, most memorable;
it is one of the completest
•cst'—^Si things of its kind that has
coloured relief by g. e. moira and f. l. jenkins been attempted for years.
breadth of effect distin-
guishes, in consequence, the
whole series of his panels.
In the frieze round the
dome he has given himself
greater freedom, and he has
not been so precise in his
technical devices.
Altogether, this Peninsu-
lar and Oriental pavilion
can be pronounced to be
an especially important ex-
ample of artistic collabora-
tion. Designed by one of
our chief architects, and
decorated by two of the
ablest of the younger men
who are busy making con- coloured relief by g. e. moira and f. l. jenkins
156