Studio: international art (23.1901)

V

Sttidio-Talk

"THE MURMUR OF THE SEA " BY CHARLES J. ALLEN

(See Liverpool Studio- Talk.)'

though by association and sympathy he must be effects than upon the more definite facts of land
reckoned as a member of the Scottish school he scapes. He enjoys gentle combinations of colour,
interprets the traditions of his countrymen in a and delicate modulations of tone, and avoids any-
thing like over demonstra-
tiveness in his technical
methods. At the same
time he paints freely and
decisively, without uncer-
tainty as to the manner in
which his materials should
be used, and with an
amount of intention that
is possible only to a more

well his large grasp of

REPOUSSE COPrER PANELS BY H. BLOOMFIELI) BARE .• i j i_>

(See Liverpool Studio-Talk.) essentials, and his expres-
sive freedom of draughts-
fashion of his own. There is in his regard for manship and brushwork. The Shades of Twilight
Nature, and in his rendering of open-air subjects, a has just been purchased by the Hungarian Govern-
peculiar spontaneity which leads him to insist ment for the National Gallery at Budapest.

rather upon the subtlety and variety of atmospheric -

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