Studio: international art (23.1901)

Studio-Talk

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above all, the local school has not come out strong, forty examples of English art, including pictures
Almost all of our best Dresden artists have sent by Watts, Millais, Holman Hunt, Poynter, Anning
indifferent work; some have decidedly fallen off, Bell, Lavery, etc. Segantini's works exhibited
while only a few, like Liihrig and Sterl, show up to comprised his last, the triptych Vita, natura, motte,
advantage. together with twenty-five other oil paintings and

twenty drawings. Lenbach displayed a collection
There is a small portrait exhibition included in of portraits, and Dall'oca Bianca some seventy
this year's show, and the interesting experiment little works—freshly treated subjects from his
has been made of hanging about 50 portraits by native town, Verona,
as many of the most renowned modern artists -

alongside of some works by Velazquez, Vandyke, Hungary was chiefly represented by the pro-
Rembrandt, Titian, etc., loaned from the ductions of some of its youngest artists. Bertalan
Dresden Gallery. Por's study of a head is an admirable effort on the

H. W. S. part of a youthful painter exhibiting here for the
first time. Equally praiseworthy was the Summer
UDAPEST.—The crowning attraction of Landscape, by Lily Hoffmann, marked by vigorous
the Spring exhibitions was the collective brush-work and admirable colouring. In his
display of works by G. Segantini, Len- Idlers, Sandor Nyilassy depicts a group of loafers
bach, Angelo Dall'oca Bianca, and about hanging about an inn. The heavy, gloomy

atmosphere of the cabaret
in the twilight is suggested
to perfection, and the whole
thing is most spirited. The
water-colour, The Fair, by
Zoltan Veress, charms by
its characteristic represen-
tation of peasant types and
its movement and bustle.
Bela Spanyi, who has a
strong liking for marshy
scenery, made a distinct hit
on this occasion with his
silver-toned picture, Morn-
ing. A little water-colour,
The Grove, by M. Munkacsy
is remarkable not alone for
its masterly breadth of
treatment, but also for the
fact that it is the only
water-colour the artist has
done. The State has pur-
chased it for the Gallery ol
Fine Arts.

For the rest, we have
to note an interesting por-
trait by F. Laszlo, and
another by Gyula Stetka;
also a very beautiful moon-
rise by Ferencz Olgyay.

We have pleasure in
giving illustrations of
■study" • by bertalan poR characteristic works by the

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