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Studio: international art — 23.1901

DOI Heft:
Nr. 102 (Septembre 1901)
DOI Artikel:
Studio-talk
DOI Seite / Zitierlink: 
https://doi.org/10.11588/diglit.19788#0314

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Studio- Talk

jects, stands out prominently in this year's exhibi- by T. W. French, deserve also to be noticed,

tion. Excellent compositions made from life W. T. Pavitt has worked a gracefully-designed

studies are contributed by Miss C. E. Martin, clock case in beaten copper. The other metal work

Miss C. Jackson, Miss C. N. Thorburn, and A. R. which attracts attention is a clever grille panel by

Martin. Miss M. Collen's low-relief " altar panel " W. J. Blackburn, and a grotesque door-knocker

won the first prize in this competition; and for a by A. Pettigrew, both in wrought-iron. The

" drinking fountain" Miss C. A. Walker and Miss chief contributors to the display of enamels

R. D. Carver took first and second prizes. Model- are L. G. Phipps, C. E. Thompson, and W.

ling from the cast has produced good results in the Fazakerly. The class, though very recently

term's work of Miss Ruth Bare, H. Anderson, formed under the instruction of Miss L. Day, has

T. Shaw, and Miss F. G. Craine. Drawing and already attained some very excellent results, and is

painting from life does not show any very marked decidedly improving.

success this year, the foremost students in this B. B.
branch being Miss C. N. Thorburn, G. W. Harris,

and H. Stabler, while there are some notably good I VARIS.—At the "Art Nouveau" M. Bing

posters, book covers, and title-pages, by Miss I J had recently a most interesting display

C. A. Walker, Miss M. Collens, Miss Phcebe I by modern Japanese artists, members of

McLeish, and Miss H. M. Crossfield. the " Nihon-Gwakai " of Tokio.

Praise must be awarded to Miss C. Gwatkin The " Nihon-Gwakai " is a society of painters

for great industry and much skilful design in analogous to our European artistic associations,

several of the handicrafts, wherein she shows much but with perhaps somewhat more of union among

promise. The needlework of Miss P. McLeish and its members, each of whom, while preserving his

Miss S. G. Dowie, and the stained glass executed own artistic personality, is closely concerned in the

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