DOI Heft:
No. 138 (September, 1904)
DOI Artikel:The National Competition of schools of art, 1904
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.19882#0352
The National Competition
careful pen-and-ink draw-
ings of buildings (silver-
medalled), while the latter
shows a fine decorative
drawing on the subject of
the Prodigal. Camberwell
has produced a similarly
good draughtswoman in
Annie Foulger, who sends
some dignified designs for
book illustrations, in-
cluding a well - composed
and decorated page with
lettering. The designs by
John C. Moody (Regent
Street Polytechnic) are also
among the best. A large design for stencilled frieze by j. a. found (hull)
cartoon for a decorative
panel by Nina Morrison
(Liverpool, Mount Street)
is difficult to classify, the
proposed medium not
being stated; but the
drawing and composition
are remarkably pleasing,
and the design has origin-
ality and distinct beauty
of conception and treat-
ment. The drawing in
which the colouring is
suggested is especially
good.
The Camberwell book-
bindings are again con-
spicuous for their work-
manlike tooling and sound
judgment in design.
Two by Arthur Blake
are especially praiseworthy
for their harmonious and
restful decorative scheme.
John Chappie is another
thoughtful and con-
scientious craftsman, and
the designs by Norah
Gowan (Chancery Lane)
show a refined and
sympathetic imagina-
tion and a delicate
and finished technique.
Mention should also be
book-covers by ethel slater (leeds) made of the excellent
328
careful pen-and-ink draw-
ings of buildings (silver-
medalled), while the latter
shows a fine decorative
drawing on the subject of
the Prodigal. Camberwell
has produced a similarly
good draughtswoman in
Annie Foulger, who sends
some dignified designs for
book illustrations, in-
cluding a well - composed
and decorated page with
lettering. The designs by
John C. Moody (Regent
Street Polytechnic) are also
among the best. A large design for stencilled frieze by j. a. found (hull)
cartoon for a decorative
panel by Nina Morrison
(Liverpool, Mount Street)
is difficult to classify, the
proposed medium not
being stated; but the
drawing and composition
are remarkably pleasing,
and the design has origin-
ality and distinct beauty
of conception and treat-
ment. The drawing in
which the colouring is
suggested is especially
good.
The Camberwell book-
bindings are again con-
spicuous for their work-
manlike tooling and sound
judgment in design.
Two by Arthur Blake
are especially praiseworthy
for their harmonious and
restful decorative scheme.
John Chappie is another
thoughtful and con-
scientious craftsman, and
the designs by Norah
Gowan (Chancery Lane)
show a refined and
sympathetic imagina-
tion and a delicate
and finished technique.
Mention should also be
book-covers by ethel slater (leeds) made of the excellent
328