SCULPTURE EN TAILLE DIRECTE. he proceeded gradually, until at length
PART II. BY KINETON PARKES. most of his output is achieved after this
method. He is an artist with no other
THE first principle of the glyptic consideration but progress, and his studios
sculptor is to be a good workman, contain always works in various stages of
for then the spiritual side of his work will production, and always " after nature,"
take care of itself. It is not that he wants which is one of the main considerations,
to make a perfection of technique so that of taille directe. His torso of a Young
the result has no comparative relation to Woman is in the Museum of Modern Art:
the idea, but that the workmanship shall at Barcelona, which also contains examples
represent the consistent evocation of the of the work of Mateo Hernandez, the
artist's personality throughout the whole animal sculptor. Hernandez is the son.
of the stages of its production. Classical of an architect-constructor in granite^
perfection of form, therefore, has to give and has never frequented any academy,
place to truth, even if it should appear His early acquaintance with almost the
crude, a a a a 0 a hardest substance commonly used by
Wherever the art of sculpture is taking the sculptor has enabled him to become
on new life these things are realised. In one of the masters of this attractive if
Spain there are at least three sculptors somewhat intractable material. a 0
who began as modellers who are now The third Catalan sculptor, Jaime
almost exclusively carvers. a 0 Otero, is Greek in his style, and in his
Enric Casanovas, after a period of ten direct work goes back to the archaic
years' research in the various fields of period for inspiration, and on that basis he
ancient and modern sculpture, began, builds up a presentation of form combined
at the age of 30, his career as a direct with later and more sophisticated elements,
carver. His first work in stone was a and his Head, of a Girl is especially
relief panel The Dance; and from this notable in this respect. a a a
RELIEF (MARBLE). BY HEAD OF A GIRL (MARBLE)
VAINO AALTONEN BY JAIME OTERO-
314
PART II. BY KINETON PARKES. most of his output is achieved after this
method. He is an artist with no other
THE first principle of the glyptic consideration but progress, and his studios
sculptor is to be a good workman, contain always works in various stages of
for then the spiritual side of his work will production, and always " after nature,"
take care of itself. It is not that he wants which is one of the main considerations,
to make a perfection of technique so that of taille directe. His torso of a Young
the result has no comparative relation to Woman is in the Museum of Modern Art:
the idea, but that the workmanship shall at Barcelona, which also contains examples
represent the consistent evocation of the of the work of Mateo Hernandez, the
artist's personality throughout the whole animal sculptor. Hernandez is the son.
of the stages of its production. Classical of an architect-constructor in granite^
perfection of form, therefore, has to give and has never frequented any academy,
place to truth, even if it should appear His early acquaintance with almost the
crude, a a a a 0 a hardest substance commonly used by
Wherever the art of sculpture is taking the sculptor has enabled him to become
on new life these things are realised. In one of the masters of this attractive if
Spain there are at least three sculptors somewhat intractable material. a 0
who began as modellers who are now The third Catalan sculptor, Jaime
almost exclusively carvers. a 0 Otero, is Greek in his style, and in his
Enric Casanovas, after a period of ten direct work goes back to the archaic
years' research in the various fields of period for inspiration, and on that basis he
ancient and modern sculpture, began, builds up a presentation of form combined
at the age of 30, his career as a direct with later and more sophisticated elements,
carver. His first work in stone was a and his Head, of a Girl is especially
relief panel The Dance; and from this notable in this respect. a a a
RELIEF (MARBLE). BY HEAD OF A GIRL (MARBLE)
VAINO AALTONEN BY JAIME OTERO-
314