BIOGRAMY / BIOGRAPHICAL NOTES
Albert Boesten-Stengel
Nicolaus Copernicus University Toruń
Art historian, associate professor (Prof. UMK dr. hab) in Art History at the Nicolaus
Copernicus University in Toruń (Poland). PhD degree received from the University of
Freiburg im Breisgau, habilitation degree (dr. hab) from the University of Würzburg.
Visiting professor at the Charles University in Prague and at the Jagiellonian Univer-
sity in Cracow. His research focuses on medieval and early modern Italian art his-
tory the reception of classical art and art criticism, with special attention to genetic
criticism of preparative drawings. Recent publications concern Leonardo da Vinci and
Johann Joachim Winckelmann.
Uniwersytet Mikołaja Kopernika, Katedra Historii Sztuki, ul. W Bojarskiego 1,
87-100 Toruń, Polska
François Bovier
University of Lausanne / Lausanne University of Art and Design
Senior lecturer (PhD) at the Department of Film History and Aesthetics at the Uni-
versity of Lausanne and a research fellow at Lausanne University of Art and Design.
Author of H. D. et le groupe Pool: des avant-gardes littéraires au cinema “visionnaire”
(L'Âge d'Homme, 2009), co-founding editor of the hlm magazine Décadrages (Lau-
sanne, 2003). He has published numerous articles on experimental cinema, militant
dims and artists' dims in scholarly journals and books. He is also an independent
curator, especially in the held of moving images. Recently co-edited such books as:
F. Bovier and Serge Margel (eds. ), "Cinéma ethnographique", Décadrages, No. 40-42,
Autumn-Spring 2019; F. Bovier (ed.), Early Video Art and Experimental Films Net-
works. French-speaking Switzerland in 1974: a Case for “Minor History”, ECAL/Les
presses du réel, 2017; F. Bovier and Adeena Mey (eds.), Cinema in the Expanded Field,
JRPI Ringier, 2015; F. Bovier and A. Mey (eds.), Exhibiting the Moving Image: History
Revisited, JRP | Ringier, 2015.
Université de Lausanne, Section d'histoire et esthétique du cinéma, Faculté des lettres
Bâtiment Anthropole, CH - 1015 Lausanne, Suisse
Albert Boesten-Stengel
Nicolaus Copernicus University Toruń
Art historian, associate professor (Prof. UMK dr. hab) in Art History at the Nicolaus
Copernicus University in Toruń (Poland). PhD degree received from the University of
Freiburg im Breisgau, habilitation degree (dr. hab) from the University of Würzburg.
Visiting professor at the Charles University in Prague and at the Jagiellonian Univer-
sity in Cracow. His research focuses on medieval and early modern Italian art his-
tory the reception of classical art and art criticism, with special attention to genetic
criticism of preparative drawings. Recent publications concern Leonardo da Vinci and
Johann Joachim Winckelmann.
Uniwersytet Mikołaja Kopernika, Katedra Historii Sztuki, ul. W Bojarskiego 1,
87-100 Toruń, Polska
François Bovier
University of Lausanne / Lausanne University of Art and Design
Senior lecturer (PhD) at the Department of Film History and Aesthetics at the Uni-
versity of Lausanne and a research fellow at Lausanne University of Art and Design.
Author of H. D. et le groupe Pool: des avant-gardes littéraires au cinema “visionnaire”
(L'Âge d'Homme, 2009), co-founding editor of the hlm magazine Décadrages (Lau-
sanne, 2003). He has published numerous articles on experimental cinema, militant
dims and artists' dims in scholarly journals and books. He is also an independent
curator, especially in the held of moving images. Recently co-edited such books as:
F. Bovier and Serge Margel (eds. ), "Cinéma ethnographique", Décadrages, No. 40-42,
Autumn-Spring 2019; F. Bovier (ed.), Early Video Art and Experimental Films Net-
works. French-speaking Switzerland in 1974: a Case for “Minor History”, ECAL/Les
presses du réel, 2017; F. Bovier and Adeena Mey (eds.), Cinema in the Expanded Field,
JRPI Ringier, 2015; F. Bovier and A. Mey (eds.), Exhibiting the Moving Image: History
Revisited, JRP | Ringier, 2015.
Université de Lausanne, Section d'histoire et esthétique du cinéma, Faculté des lettres
Bâtiment Anthropole, CH - 1015 Lausanne, Suisse