DOI Artikel:
Pomorska, Irena; Muzeum Narodowe w Warszawie [Mitarb.]: Kartonaż z Muzeum Narodowego w Warszawie nr inw. 17330
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.19395#0076
KAPTOHA>K M> 17330 H3 HAUHOHAJlbHOFO MY3EH B BAPIUABE
PE3KDME
KapTOHa>k N° 17330 113 HauHOHajibHoro My3en b BapmaBe npHHa/yieJKaji ofijiacTHOMy nHcuy, wpe-
uy h cjiymHTejiro rop-/J,>KexyTH. B HaiiHOHajibHOM My3ee HMeeTca Taione rpofi yconuiero, hochhihh tot
}Ke CaMHH HHBeHTapHblH HOMep.
OnHcaHHe h npoÓHyio xapaKTepHCTHi<y KapTOHasia h rpofia npoH3Beji b 1929 ro,ny Anau FeHuejib
b wypnajie „Sztuka i Praca" \ YnoMHHaHHe o paccMaTpnBaeMbix naMHTHHKax HMeeTCH TaiOKe b ny-
TeBOJiHTejie no Tajiepee HCKyccTBa .HpeBHero Miipa HauHOHajibHoro My3en b BapuiaBe2. Tpofiy nocBii-
mena Hc^epnbiBaiomaa pafioTa M. Mapununio :!.
Cyflb6a rpoóa u napTOHa>Ka oanHaKOBa, b cbh3h neM Aani-ibix, KacaromMcn nponcxo>KAeHH!ł
nocjieflHero, cjieayeT HCKaTb b cTaTbe MapminfiKa, KOTopwft flaTHpyeT o6a naMHTHHio nepHO/iOM ot
BTOpOH HOJIOBHHbl I b. AO H. 3. AO nepBOH nOJIOBHHbl I b. H. 3.
KapxoHa>k rop-fl>KexyTH SoraTo yi<pameH tpHryPHbIMH cueHaMH, reoMefpHiecKHMH h pacTHTe.nb-
hmmh opHaMeHTaMH. Cna6>KeH leTbipbMH HaAnncHMH, Tpn h3 hhx sto THTyjm h hmh yMepuiero, a qe-
TBepTan, iiepa36opiiHBasi, bo3mo>kho HBJisjeTCH mojihtboh, oópameHHoft k HyT4.
FTpii paccMaTpHBaHHH chmbojihkh (pnrypHbix cuen, óoraTCTBa opHaMeHTHKH h naanHceft, Haxoaa-
luhxch Ha KapTOnawe, oópamaeT BHHMaHHe, mto rjiaBeHCTByiomee MecTo 33hhm3iot n3o6paweHna
h opHaMeHTbi (no cpaBHenHio c HaanHCHMH).
TeMaTHKa H3oópa>KeHHii flBOHKa. IiepeAHflsi nacTb KapronajKa yKpameHa H3o6pą»ceHHHMn 60-
jKecTB h cueHaMH, cBH3aHHHMH c KyjibTOM OcHpHca, a TaKJKe H3o6pa>KeHHeM BocxoA.a cojiHua h noKJio-
HHiom.Hxcfl eiwy naBHaHOB. Ilo 6ok3m KapTOHawa Haxo/tHTca cuenu, CBH33HHbie c KyjibTOM cojinua
h cueHM nyTemecTBHH yconuiero b conpoBOKAeiiHH cbhtm no 3arpoÓHOMy MHpy.
Hctothhkom, Hcnojib3yeMHM npH yKpameHHH 6okobhx qacTeft KapTOHawa, 6biJiH no Bceft BepoHT-
hocth KyjibTOBbie khhth, B03HHKinHe b snoxy HoBoro uapcTBa — TeKCTbi h H3o6pa>KeHHH, noMemaBiunecfl
Ha cTeHax cKajibHbix ycbmajibHHii MOHapxoB Hoboto uapcTBa. Tanoro po,oa H3o6paaKeHHa, BdpeiaeMbie
na rpo6ax nepnoAa XXI AHHacTHH, Ha MH(pojiorHMecKiix nannpycax u KaMeHHbix capKO(j)arax Eruma
no3flHero BpeMeHH, coxpaHHioTCH, TaKHM o6pa30M, BnjioTb ao rpei<o-pHMCKoro nepHOAa. CjieayeT npn-
HHTb bo BHHMaHne cpaKT, to) H3 o6innpiibix TeKCTOB n H30Ópa»ceHHii, 3aneqaTJieHHbix Ha uapcKHx rpo6-
HHuax, HaHÓojiee cymecTBeHHoe h BawHoe Heo6xoAHMo óbijio nepenociiTb na Heóojibtuyio noBepxH0CTb
KpbiuiKH rpo6a, KOTopyio npnxoAHjiocb AeMTb npn stom Me>KAy OcnpHcoM n cojmemibiMn 6o>KecTBaMii;
ocTaBajiHCb, TaKHM o6pa30M, TOJibKO 6oKOBHe nacTH rpoóa. H3o6pa>KeHHH, HaxoflHuiHe«i Ha Hauieiw Kap-
TOHa>Ke, npeflCTaBJiHiOTCH HHTepecHMM npHMepoM cniiTesa KyjibTOBbix KHnr Hoboto uapcTBa — na
yeJiHe njibmeT cojiHetiHoe 6o>KecTBo, KOTopoe THHyT ABenaji,u.aTb >kchckhx cpHryp, bo3mo>kho chmbojih3H-
pyiomnx ABenafluaTb iacoB hoto, yconuiHft conpoBO>KaaeT 6o?KecTBO b nyieuiecTBHH; KpoMe 3Toro h30-
6pa>KeHbi MyMneo6pa3Hbie 6o»cecTBa, KOTopue 6biTb MOKeT cHMB0JiH3Hpyi0T MHoroqncJieHHbix ofinTaTe-
jieił 3arpo6Horo uapcTBa. PaccMaTpuBaeMbift KapTOHaJK HBjisieTCH eme ojhhm cBHAeTejibCTBOM CHJibnoro
b.nHHHHH na pejiHrnio ErunTa cpHBaHCKofl TeojiorHH, C03AaBuieft khhth HoBoro iiapcTBa. PeMHiiHcneHuiiH
3Toro bjihhhhh BCTpeiiaeM b ErnnTe rpeKO-pHMCKoro nepHO.na HapaBHe c KyjibTOM OcHpnca.
1 „Sztuka i Praca", 1929, N° 25—28, CTp. 23.
2 K. Michałowski, Sztuka Starożytna, Warszawa 1955, CTp. 161.
3 PyKonncb.
4 JEA, 17 (1931), CTp. 226—227, Hji. LV, LVI, LVII.
72
PE3KDME
KapTOHa>k N° 17330 113 HauHOHajibHoro My3en b BapmaBe npHHa/yieJKaji ofijiacTHOMy nHcuy, wpe-
uy h cjiymHTejiro rop-/J,>KexyTH. B HaiiHOHajibHOM My3ee HMeeTca Taione rpofi yconuiero, hochhihh tot
}Ke CaMHH HHBeHTapHblH HOMep.
OnHcaHHe h npoÓHyio xapaKTepHCTHi<y KapTOHasia h rpofia npoH3Beji b 1929 ro,ny Anau FeHuejib
b wypnajie „Sztuka i Praca" \ YnoMHHaHHe o paccMaTpnBaeMbix naMHTHHKax HMeeTCH TaiOKe b ny-
TeBOJiHTejie no Tajiepee HCKyccTBa .HpeBHero Miipa HauHOHajibHoro My3en b BapuiaBe2. Tpofiy nocBii-
mena Hc^epnbiBaiomaa pafioTa M. Mapununio :!.
Cyflb6a rpoóa u napTOHa>Ka oanHaKOBa, b cbh3h neM Aani-ibix, KacaromMcn nponcxo>KAeHH!ł
nocjieflHero, cjieayeT HCKaTb b cTaTbe MapminfiKa, KOTopwft flaTHpyeT o6a naMHTHHio nepHO/iOM ot
BTOpOH HOJIOBHHbl I b. AO H. 3. AO nepBOH nOJIOBHHbl I b. H. 3.
KapxoHa>k rop-fl>KexyTH SoraTo yi<pameH tpHryPHbIMH cueHaMH, reoMefpHiecKHMH h pacTHTe.nb-
hmmh opHaMeHTaMH. Cna6>KeH leTbipbMH HaAnncHMH, Tpn h3 hhx sto THTyjm h hmh yMepuiero, a qe-
TBepTan, iiepa36opiiHBasi, bo3mo>kho HBJisjeTCH mojihtboh, oópameHHoft k HyT4.
FTpii paccMaTpHBaHHH chmbojihkh (pnrypHbix cuen, óoraTCTBa opHaMeHTHKH h naanHceft, Haxoaa-
luhxch Ha KapTOnawe, oópamaeT BHHMaHHe, mto rjiaBeHCTByiomee MecTo 33hhm3iot n3o6paweHna
h opHaMeHTbi (no cpaBHenHio c HaanHCHMH).
TeMaTHKa H3oópa>KeHHii flBOHKa. IiepeAHflsi nacTb KapronajKa yKpameHa H3o6pą»ceHHHMn 60-
jKecTB h cueHaMH, cBH3aHHHMH c KyjibTOM OcHpHca, a TaKJKe H3o6pa>KeHHeM BocxoA.a cojiHua h noKJio-
HHiom.Hxcfl eiwy naBHaHOB. Ilo 6ok3m KapTOHawa Haxo/tHTca cuenu, CBH33HHbie c KyjibTOM cojinua
h cueHM nyTemecTBHH yconuiero b conpoBOKAeiiHH cbhtm no 3arpoÓHOMy MHpy.
Hctothhkom, Hcnojib3yeMHM npH yKpameHHH 6okobhx qacTeft KapTOHawa, 6biJiH no Bceft BepoHT-
hocth KyjibTOBbie khhth, B03HHKinHe b snoxy HoBoro uapcTBa — TeKCTbi h H3o6pa>KeHHH, noMemaBiunecfl
Ha cTeHax cKajibHbix ycbmajibHHii MOHapxoB Hoboto uapcTBa. Tanoro po,oa H3o6paaKeHHa, BdpeiaeMbie
na rpo6ax nepnoAa XXI AHHacTHH, Ha MH(pojiorHMecKiix nannpycax u KaMeHHbix capKO(j)arax Eruma
no3flHero BpeMeHH, coxpaHHioTCH, TaKHM o6pa30M, BnjioTb ao rpei<o-pHMCKoro nepHOAa. CjieayeT npn-
HHTb bo BHHMaHne cpaKT, to) H3 o6innpiibix TeKCTOB n H30Ópa»ceHHii, 3aneqaTJieHHbix Ha uapcKHx rpo6-
HHuax, HaHÓojiee cymecTBeHHoe h BawHoe Heo6xoAHMo óbijio nepenociiTb na Heóojibtuyio noBepxH0CTb
KpbiuiKH rpo6a, KOTopyio npnxoAHjiocb AeMTb npn stom Me>KAy OcnpHcoM n cojmemibiMn 6o>KecTBaMii;
ocTaBajiHCb, TaKHM o6pa30M, TOJibKO 6oKOBHe nacTH rpoóa. H3o6pa>KeHHH, HaxoflHuiHe«i Ha Hauieiw Kap-
TOHa>Ke, npeflCTaBJiHiOTCH HHTepecHMM npHMepoM cniiTesa KyjibTOBbix KHnr Hoboto uapcTBa — na
yeJiHe njibmeT cojiHetiHoe 6o>KecTBo, KOTopoe THHyT ABenaji,u.aTb >kchckhx cpHryp, bo3mo>kho chmbojih3H-
pyiomnx ABenafluaTb iacoB hoto, yconuiHft conpoBO>KaaeT 6o?KecTBO b nyieuiecTBHH; KpoMe 3Toro h30-
6pa>KeHbi MyMneo6pa3Hbie 6o»cecTBa, KOTopue 6biTb MOKeT cHMB0JiH3Hpyi0T MHoroqncJieHHbix ofinTaTe-
jieił 3arpo6Horo uapcTBa. PaccMaTpuBaeMbift KapTOHaJK HBjisieTCH eme ojhhm cBHAeTejibCTBOM CHJibnoro
b.nHHHHH na pejiHrnio ErunTa cpHBaHCKofl TeojiorHH, C03AaBuieft khhth HoBoro iiapcTBa. PeMHiiHcneHuiiH
3Toro bjihhhhh BCTpeiiaeM b ErnnTe rpeKO-pHMCKoro nepHO.na HapaBHe c KyjibTOM OcHpnca.
1 „Sztuka i Praca", 1929, N° 25—28, CTp. 23.
2 K. Michałowski, Sztuka Starożytna, Warszawa 1955, CTp. 161.
3 PyKonncb.
4 JEA, 17 (1931), CTp. 226—227, Hji. LV, LVI, LVII.
72