Universitätsbibliothek HeidelbergUniversitätsbibliothek Heidelberg
Metadaten

Studio: international art — 25.1902

DOI Heft:
No. 109 (April, 1902)
DOI Artikel:
Mourey, Gabriel: The art of M. Lucien Simon
DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.19875#0176

DWork-Logo
Überblick
Faksimile
0.5
1 cm
facsimile
Vollansicht
OCR-Volltext
Lucien Simon

" LES MARGUILLIERS " BY I.UCIEN SIMON

people can't enjoy, art which people don't make a alarms them in their researches ; they do not fear

fuss about, is not art at all! to go so far as caricature even, provided it be

M. Lucien Simon shrugs his shoulders, and goes human and real. This, however, is not their sole

on with his work. Nothing disturbs his serenity, aim; that is to say, they possess the same faculty

or affects the sort of indifference with which he for perceiving and then fixing, by the means

seems to regard the things about him; for this of expression proper to their art, the essential

coldness is merely apparent, and hides an ardent features of what may be termed "the psychological

sensitiveness, a soul full of passion, and nerves grimace." In the one as in the other, there reigns

always a-quiver. The name of Gustave Flaubert a love of that which is human, a burning desire to

occurred to me a moment ago in this connection, reach the very heart of life, beneath its external

However arbitrary it may appear to compare a gestures, beneath its visible envelope. They never

painter's method of work with that of a writer—to particularise but to generalise the more broadly;

say nothing of the results that spring therefrom—I they devote themselves to the study of types simply

nevertheless can discover the most striking analogies to bring into more luminous relief the ordinary

between the author of " Madame Bovary " and the attributes of the human species,

painter of the Retour de la Mtsse a Penmarch, the Like Flaubert, again, M. Lucien Simon proceeds

Luttes dans le~ Finistere, the Cirque Forain, the by dint of elimination. From out a scene de moiurs,

Marguilliers, and the Procession. Their manner of a face, a bit of nature, he will retain only just so

feeling appears to me identical as is their mode of much as it is important to retain, neglecting all the

reproducing their sensations. Both are equally rest; but he will have observed it all; and thus it

bent on reality, both equally keen on discovering is that his pictures, which, so to speak, are reduced

good "documents"; nothing deters and nothing and concentrated to the minimum, are_really so

163
 
Annotationen