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Studio: international art
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Studio: international art
— 25.1902
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Please cite this page by using the following URL/DOI:
https://doi.org/10.11588/diglit.19875#0329
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https://doi.org/10.11588/diglit.19875#0329
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art journals – Illustrated art and satire periodicals
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Einband
Spiegel
Titelblatt
Index to volume XXV
No. 107 (February, 1902)
Wedmore, Frederick: Frank Short
Marx, Roger: The latest evolution of the medal in France
The Royal Academy and its students' competitions
Leaves from the sketch-book of Vernon Howe Bailey
Studio-talk
Reviews
Awards in "The Studio" prize competitions
The lay figure on the decoration of London for the coronation of Edward the Seventh
No. 108 (March, 1902)
Mobbs, Robert: A swiss painter: Charles Giron
Scott, Mackay H. Baillie: A country cottage
Praetorius, Charles J.: Decorative art in New Guinea, [1]
Sparrow, Walter Shaw: A young English sculptor: Gilbert Bayes
Fisher, Alexander: The art of true enamelling upon metals, [3]
Elgood, George Samuel: Some recent drawings of English and continental gardens
Okakura, Kakuzō: Notes on contemporary Japanese art
Hyde, Josephine Maria: The autumn exhibition of the Nippon Bijitsu-in, the Japan Fine Arts Academy
Studio-talk
Reviews
Awards in "The Studio" prize competitions
The lay figure on realism in art
No. 109 (April, 1902)
Mourey, Gabriel: The art of M. Lucien Simon
Some work by the students of the Liverpool School of Art
Pantini, Romualdo: Italy's private gardens
Leaves from the sketchbook of George C. Haité
Studio-talk
Reviews
Awards in "The Studio" prize competitions
The lay figure on the misuse of wealth versus art
No. 110 (May, 1902)
Singer, Hans Wolfgang: A German painter: Robert Sterl
Wainwright, A. S.: A Birmingham architect - W.H. Bidlake
Jenkins, Will: Illustration of the daily press in America
Monypenny, Emma L.: The art of Edmond Theodore van Hove
Levetus, A. S.: The exhibition of the Vienna Secession
The cult of the statuette: The Fine Art Society's recent exhibition
Studio-talk
Reviews
Awards in "The Studio" prize competitions
The lay figure on the better effects of officialism in art
Spiegel
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