Studio-Talk
satisfying, and give it our meed of appreciation. in which that intensity and capacity for selection
Amongst the landscapes already mentioned is which are characteristic of all Mr. Yeats's best work
Mr. Mark Fisher's Land of Wine and Song, are noticeable. Mention ought also to be made ot
There is another landscape from across the Mr. Lavery's beautiful portrait of a lady in black,
water — a delightful study of trees in strong and of the portrait of the chief of the MacLeods,
sunshine—by Mr. Steer, which is an admirable by the President of the Scottish Academy,
example of the work of this painter. The Orchard, -
by Miss Christian, a new exhibtior, is also The Water-Colour Society's Exhibition, if slight,
worthy of favourable notice; but it is so badly is interesting, as showing what Irish women artists
hung that it is difficult to catch the full charm are doing ; for at least three-fourths of these
of the trees or appreciate the sensation of atmo- drawings are by women. Miss Rose Barton,
sphere which appears to pervade the picture. Miss Mildred Butler, Miss Helen O'Hara, Miss
In quite a different method from these works Josephine Webb, Miss Emily MacCarthy, all show
are the little landscapes by
Mr. Kavanagh, one of the
younger R.H.A.'s, who
has at least the virtue of
individuality. There is a
certain attractiveness, the
attractiveness of novelty,
about his strongly-marked
trees and houses silhouetted
against pale skies ; but
there is no air between the
trees and the clouds, and,
after examining some half-
dozen of Mr. Kavanagh's
effects, we feel that this
kind of painting is little
more than a pleasant
caprice. Turning to the
portraits, we find Mr.
Walter Osborne and Mr.
J. Butler Yeats well to the
fore. The former has a
clever portrait of Mrs.
Healey and her daughter,
in which one is impressed
by the " elegance " of the
treatment and the har-
monious blending of all
the details of the colour
scheme ; and two other in-
teresting portraits, equally
characteristic of his
method. Mr. Yeats ex-
hibits a masterly portrait
of Mr. Henry Geoghegan,
which is painted in his
broadest manner, and with
a sureness of touch not
always apparent in his
work. He shows also a „
MOONLIGHT IN VENICE BY H. W. FAULKNER
charming portrait of a lady, (See Paris Studio- Talk)
2IO
satisfying, and give it our meed of appreciation. in which that intensity and capacity for selection
Amongst the landscapes already mentioned is which are characteristic of all Mr. Yeats's best work
Mr. Mark Fisher's Land of Wine and Song, are noticeable. Mention ought also to be made ot
There is another landscape from across the Mr. Lavery's beautiful portrait of a lady in black,
water — a delightful study of trees in strong and of the portrait of the chief of the MacLeods,
sunshine—by Mr. Steer, which is an admirable by the President of the Scottish Academy,
example of the work of this painter. The Orchard, -
by Miss Christian, a new exhibtior, is also The Water-Colour Society's Exhibition, if slight,
worthy of favourable notice; but it is so badly is interesting, as showing what Irish women artists
hung that it is difficult to catch the full charm are doing ; for at least three-fourths of these
of the trees or appreciate the sensation of atmo- drawings are by women. Miss Rose Barton,
sphere which appears to pervade the picture. Miss Mildred Butler, Miss Helen O'Hara, Miss
In quite a different method from these works Josephine Webb, Miss Emily MacCarthy, all show
are the little landscapes by
Mr. Kavanagh, one of the
younger R.H.A.'s, who
has at least the virtue of
individuality. There is a
certain attractiveness, the
attractiveness of novelty,
about his strongly-marked
trees and houses silhouetted
against pale skies ; but
there is no air between the
trees and the clouds, and,
after examining some half-
dozen of Mr. Kavanagh's
effects, we feel that this
kind of painting is little
more than a pleasant
caprice. Turning to the
portraits, we find Mr.
Walter Osborne and Mr.
J. Butler Yeats well to the
fore. The former has a
clever portrait of Mrs.
Healey and her daughter,
in which one is impressed
by the " elegance " of the
treatment and the har-
monious blending of all
the details of the colour
scheme ; and two other in-
teresting portraits, equally
characteristic of his
method. Mr. Yeats ex-
hibits a masterly portrait
of Mr. Henry Geoghegan,
which is painted in his
broadest manner, and with
a sureness of touch not
always apparent in his
work. He shows also a „
MOONLIGHT IN VENICE BY H. W. FAULKNER
charming portrait of a lady, (See Paris Studio- Talk)
2IO