Studio: international art (26.1902)

Henri Cassiers

extraordinary fidelity with which he has stuck to the Patte de Dindon, or the " Turkey's Foot," so

that medium throughout his art career. called after the sign of the old inn in which the

Every day in the classes were held,

summer, directly his still to be seen, with

of Painters in Water- ^^^^^^^^^^^^^^^J ^^^^^^^^^^t^

Colour), and went "^^?SHMiP!^^^yg rised the meeting in

suburban locality, ,^^^^^^^1^x1 demy, but also sup-

where the two would ■>j.<^s^r :^^-^ -J>/ fe^lil^r plied that institution

deftly wash in a few I f?°?.<z?~ —a-i-—Sw^^fj with firing and light-

skilful notes of the "dutch milkmaids" by h. cassiers ing for the three

delicate but evan- (Published by MM. Dietrich ei Cie., Brussels) winter months. The

escent effects of club fees of the mem-

colour observed by them. In the winter, on the bers of the Free Academy sufficed to pay for the
other hand, young Cassiers would go every evening necessary models. Here used to meet on equal
to draw at the Free Academy, known as that ot terms professional and amateur artists, all friends

" dordrecht"
4

by h. cassiers