DOI Heft:
No. 111 (June, 1902)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.19876#0076
Studio- Talk
Mont, E. A. Walton, H. Muhrmann, T. Austen
Brown, B. Priestman, Grosvenor Thomas, and
George Sauter himself. A picture by each of the
two last-named artists has been purchased by the
State for the Fine Arts Museum.
The German painter, Eugen Bracht, displays a
collection of nearly fifty pictures, all marked by
strong individuality and true artistic finish. Notable
contributors, too, are G. Kuehl, F. Stuck, and
Hans Bartels—the last-named showing a number
of masterly water-colours.
The famous Spaniard, Ignacio Zuloaga, has sent
five of his powerfully-brushed paintings, the best of
which are Temptation and Pepillo and his Bride,
Rene Menard, H. Le Sidaner, H. and M.
Duhem, G. Costeau, and Levy-Dhurmer among
the Frenchmen, and Fernand Khnopff and Van der
Stappen among the Belgians, display work well
worthy of the high reputation they deservedly enjoy.
In company such as this our Hungarian artists
find themselves heavily handicapped; nevertheless
some of their productions are of remarkable artistic
merit. Gyula Hary is seen in a series of Italian
studies—impressionist pictures of extreme freshness
—wherein the most surprising results have been
achieved by the simplest means. A work of
beautiful tone and of quiet, restful aspect is Miksa
Bruck's Aji Interior. Lajos Deak-Ebner's A Kitchen
Garden is a tempera picture of tender, delicate
tone. The artist has succeeded in his subtle way
in getting the full value out of the medium em-
ployed. Karoly Reinhard, with his picture entitled
The Dead Bear, takes one back to the dim, grey days
of antiquity. He has handled his subject with
great power and energy. Very popular with the
public is Antal Neogrady, who chiefly affects the
gouache method, wherein he succeeds in obtaining
the most striking effects.
Among the other Hungarian exhibitors must be
mentioned F. Laszlo, L. Horovitz, L. Mark (with
several fine portraits), I. Ujvary, J. Vaszary, O.
Mendlik, R. Nadler, and L. Szlanyi, who sends
some poetical landscapes. A. T.
m
'THE DEAD BEAR"
64
BY KAROLY REIN HARD
Mont, E. A. Walton, H. Muhrmann, T. Austen
Brown, B. Priestman, Grosvenor Thomas, and
George Sauter himself. A picture by each of the
two last-named artists has been purchased by the
State for the Fine Arts Museum.
The German painter, Eugen Bracht, displays a
collection of nearly fifty pictures, all marked by
strong individuality and true artistic finish. Notable
contributors, too, are G. Kuehl, F. Stuck, and
Hans Bartels—the last-named showing a number
of masterly water-colours.
The famous Spaniard, Ignacio Zuloaga, has sent
five of his powerfully-brushed paintings, the best of
which are Temptation and Pepillo and his Bride,
Rene Menard, H. Le Sidaner, H. and M.
Duhem, G. Costeau, and Levy-Dhurmer among
the Frenchmen, and Fernand Khnopff and Van der
Stappen among the Belgians, display work well
worthy of the high reputation they deservedly enjoy.
In company such as this our Hungarian artists
find themselves heavily handicapped; nevertheless
some of their productions are of remarkable artistic
merit. Gyula Hary is seen in a series of Italian
studies—impressionist pictures of extreme freshness
—wherein the most surprising results have been
achieved by the simplest means. A work of
beautiful tone and of quiet, restful aspect is Miksa
Bruck's Aji Interior. Lajos Deak-Ebner's A Kitchen
Garden is a tempera picture of tender, delicate
tone. The artist has succeeded in his subtle way
in getting the full value out of the medium em-
ployed. Karoly Reinhard, with his picture entitled
The Dead Bear, takes one back to the dim, grey days
of antiquity. He has handled his subject with
great power and energy. Very popular with the
public is Antal Neogrady, who chiefly affects the
gouache method, wherein he succeeds in obtaining
the most striking effects.
Among the other Hungarian exhibitors must be
mentioned F. Laszlo, L. Horovitz, L. Mark (with
several fine portraits), I. Ujvary, J. Vaszary, O.
Mendlik, R. Nadler, and L. Szlanyi, who sends
some poetical landscapes. A. T.
m
'THE DEAD BEAR"
64
BY KAROLY REIN HARD