DOI issue:
No. 113 (August, 1902)
DOI article:Mourey, Gabriel: Some paintings and sculpture at the Paris salons
DOI Page / Citation link:https://doi.org/10.11588/diglit.19876#0213
The Paris Salons
pottery-ware by the amstelhoek company
(See article on the Turin Exhibition)
the life of the people. It is one of the really good Billiard Players, a delicate bit of intimit'e by
pictures in the Salon. MacEwen, styled A Secret, M. Besson's powerfully
M. Caro-Delvaille's style is more refined, more suggestive triptych, Le Moissonneur de lauriers,
Byzantine, more clever, and less spontaneous. He Edgard Maxence's pre-Raphaelite works, L'Annon-
was highly successful this year with his Dame d ciation, and La Sirene, a Jesusparmi des humbles, by
Phortensia and his Belle Fille. I like very much Sydney Gorham, and the fine Portrait de Mme.
the Fileuses Flamandes by M. Diercks, and the Ker- Emile Loubet by Jean Patricot.
messe en Hollande by M. Hanicotte, as also the In the sculpture galleries we find a whole army
powerful landscapes with figures by M. Hitchcock of gesticulating statues—politicians, authors and
—Effet de soleil and Les Lys—and the Place de actresses more or less renowned ; there are
Valence by the Spanish painter, Sorolla y Bastida. crowds of busts, and equestrian statues in abun-
Henri Martin has not much in this year's Salon, dance. One feels almost giddy at sight of these
but what he has is of the highest artistic quality, bewildering masses of bronze and plaster and
His Muse du Peintre is a noble piece of work, marble.
finely inspired, and his landscapes are instinct with There are, however, some delightful things,
deep feeling.
L'Automne, by Mile.
He'lene Dufau, although Q~^~ ■ ' i
too closely suggesting the
manner of Rene Menard,
has nevertheless a distinct
and rare decorative interest. IIS 3
Fougerat's two canvases
reveal the true painter, and f <£ttfi|
I regard his portrait of rT*|j§S
three persons—Ma maison- % 4l]fs
nee—as a work of great | hJ||
promise. j ^pjjj»ijfi
Also deserving ot notice |
are an amusing scene in- vSBHK_
T onekofa l5e rular
theatres, by Andre Devam-
bey, a pretty Benediction
des en/ants en Sologne by pottery-ware by joost thooft and laboucuere
Guillonnet, John Collier's (See article on the Turin Exhibition)
20I
pottery-ware by the amstelhoek company
(See article on the Turin Exhibition)
the life of the people. It is one of the really good Billiard Players, a delicate bit of intimit'e by
pictures in the Salon. MacEwen, styled A Secret, M. Besson's powerfully
M. Caro-Delvaille's style is more refined, more suggestive triptych, Le Moissonneur de lauriers,
Byzantine, more clever, and less spontaneous. He Edgard Maxence's pre-Raphaelite works, L'Annon-
was highly successful this year with his Dame d ciation, and La Sirene, a Jesusparmi des humbles, by
Phortensia and his Belle Fille. I like very much Sydney Gorham, and the fine Portrait de Mme.
the Fileuses Flamandes by M. Diercks, and the Ker- Emile Loubet by Jean Patricot.
messe en Hollande by M. Hanicotte, as also the In the sculpture galleries we find a whole army
powerful landscapes with figures by M. Hitchcock of gesticulating statues—politicians, authors and
—Effet de soleil and Les Lys—and the Place de actresses more or less renowned ; there are
Valence by the Spanish painter, Sorolla y Bastida. crowds of busts, and equestrian statues in abun-
Henri Martin has not much in this year's Salon, dance. One feels almost giddy at sight of these
but what he has is of the highest artistic quality, bewildering masses of bronze and plaster and
His Muse du Peintre is a noble piece of work, marble.
finely inspired, and his landscapes are instinct with There are, however, some delightful things,
deep feeling.
L'Automne, by Mile.
He'lene Dufau, although Q~^~ ■ ' i
too closely suggesting the
manner of Rene Menard,
has nevertheless a distinct
and rare decorative interest. IIS 3
Fougerat's two canvases
reveal the true painter, and f <£ttfi|
I regard his portrait of rT*|j§S
three persons—Ma maison- % 4l]fs
nee—as a work of great | hJ||
promise. j ^pjjj»ijfi
Also deserving ot notice |
are an amusing scene in- vSBHK_
T onekofa l5e rular
theatres, by Andre Devam-
bey, a pretty Benediction
des en/ants en Sologne by pottery-ware by joost thooft and laboucuere
Guillonnet, John Collier's (See article on the Turin Exhibition)
20I