DOI issue:
No. 114 (September, 1902)
DOI article:Studio-talk
DOI Page / Citation link: https://doi.org/10.11588/diglit.19876#0312
Studio- Talk
against the injustice from
which it suffers for fear of
losing its daily wage."
The remedy for this
deplorable state of things
lies in the hands of the
Exhibition juries and of
the critics. The first-
named should insist on
having from the fab?i-
cants patent'es—or licensed
manufacturers—who figure
habitually as painters,
sculptors, engravers, or
architects, at least the
names ot the collabor-
ators, thanks to whose
ability the doors of the
"la tourbiere" by fblix borchardt annual Salons are open to
them. As for the art
critics, "they should impose
real artisans, are dependent on a ' master,' is par- on themselves a strict rule to ignore all work not
ticularly interesting, for this class dares not rebel signed—at least, in the catalogue—by the artist or
" the old barn "
300
by paul colin
against the injustice from
which it suffers for fear of
losing its daily wage."
The remedy for this
deplorable state of things
lies in the hands of the
Exhibition juries and of
the critics. The first-
named should insist on
having from the fab?i-
cants patent'es—or licensed
manufacturers—who figure
habitually as painters,
sculptors, engravers, or
architects, at least the
names ot the collabor-
ators, thanks to whose
ability the doors of the
"la tourbiere" by fblix borchardt annual Salons are open to
them. As for the art
critics, "they should impose
real artisans, are dependent on a ' master,' is par- on themselves a strict rule to ignore all work not
ticularly interesting, for this class dares not rebel signed—at least, in the catalogue—by the artist or
" the old barn "
300
by paul colin