NAPLES
VINCENZO IROLLI
NAPLES.—Vincenzo Irolli has his home
in Naples, but his work is well known
through Italy. At the first Milan Inter-
national Exhibition of Water Colour Art in
1923 he was well represented, and so much
appreciated that I believe I am correct in
stating that all his five works there exhi-
bited—of which 77 Corriere dei Piccoli was
one of the best—were sold within ten
days of the opening. These water-colours
were, in fact, very remarkable, having a
depth and luminosity and richness of
colour which no other painting in the
exhibition came near ; and I am convinced
that Irolli would only need to be better
known in this country to find his public.
He is a good figure draughtsman, but does
170
not confine himself to " acquerello." In
the last Venice Biennial his girl holding a
skein of wool with arms outstretched—II
Bandolo—attracted considerable attention ;
but I am preferring to give here among my
illustrations two of his quite recent works,
a brilliant still life, which gives some idea
of this artist's rich colouring, and the
strongly drawn Falstaff, both of these oil
works, a a a a a a
In these oil paintings of Irolli, with their
extraordinary vivacity, their Southern char-
acter and colour, I feel myself something
of the influence of another painter from
South Italy, that great living master,
Antonio Mancini; and though the artist
himself, when we were together in Venice,
VINCENZO IROLLI
NAPLES.—Vincenzo Irolli has his home
in Naples, but his work is well known
through Italy. At the first Milan Inter-
national Exhibition of Water Colour Art in
1923 he was well represented, and so much
appreciated that I believe I am correct in
stating that all his five works there exhi-
bited—of which 77 Corriere dei Piccoli was
one of the best—were sold within ten
days of the opening. These water-colours
were, in fact, very remarkable, having a
depth and luminosity and richness of
colour which no other painting in the
exhibition came near ; and I am convinced
that Irolli would only need to be better
known in this country to find his public.
He is a good figure draughtsman, but does
170
not confine himself to " acquerello." In
the last Venice Biennial his girl holding a
skein of wool with arms outstretched—II
Bandolo—attracted considerable attention ;
but I am preferring to give here among my
illustrations two of his quite recent works,
a brilliant still life, which gives some idea
of this artist's rich colouring, and the
strongly drawn Falstaff, both of these oil
works, a a a a a a
In these oil paintings of Irolli, with their
extraordinary vivacity, their Southern char-
acter and colour, I feel myself something
of the influence of another painter from
South Italy, that great living master,
Antonio Mancini; and though the artist
himself, when we were together in Venice,