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Ars: časopis Ústavu Dejín Umenia Slovenskej Akadémie Vied — 1983

DOI Heft:
Nr. 1
DOI Artikel:
Luxová, Viera: K vývinu a problémom súčasnej maliarskej tvorby v architektúre
DOI Seite / Zitierlink: 
https://doi.org/10.11588/diglit.51719#0079
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napr. prehïadné katalogy s titulom Bildende Kunst Architektur,
vyznačujúce sa bohatou fotodokumentáciou s příslušnými údajmi
(v jednom zošite až 200 fotografií).
20 V pät’desiatych rokoch sa uskutočnila v Bratislavě výstava
súhrnnejšieho charakteru pod názvom Architektúra v spolupráci

s maliarstvom a sochárstvom. Odvtedy sa realizovali iba podu-
jatia čiastkového zamerania ako Výtvarné umenie v architektúre
(Trenčín 1972), na ktorom vystavovalo niekol’ko autorov zo Zá-
padoslovenského kraja, ďalej Tvorba životného prostredia (Ban-
ská Bystrica 1972), zameraná na stredoslovenskú oblast’ a pod.

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Development and Problems of Contemporary Painting in Architecture

In a dialectical contact with the socio-economic and artistic
situation of the country, post-war monumental painting in Slo-
vakia has gone through a complicated development characterized
by an investigation of ils spécifies, particularly of the rela-
tionship between painting and architecture. The first develop-
mental stage of the fifties was marked in general by an absence

of an inner interplay of the two arts, conditioned by the times.
It was only in the early sixties that the demand for an architecto-
nically convincing inclusion of painting on the surface of the
supporting wall began to be implemented on a creatively broader
basis, along with its ideological and meaningful relation to the
function of the given interior, more generally to the building
 
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