DOI Artikel:
Abelovský, Ján: Mladé slovenské maliarstvo sedemdesiatych rokov: (bezkonfliktová generácia?)
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.31180#0047
43
tych rokov, v ktorej využil dosiahnuté umělecká
poznanie na celkom osobnostnú formuláciu civilistic-
kého maliarskeho názoru. V istom zmysle tým od-
povedal na všeobecné generačná trendy a zároveň
ich ovplyvnil. Jeho nová orientácia sa velmi skoro
dočkala aj zaslúženého ocenenia (GRAND PRIX na
Bienále malby v Kořiciach 1980).
MojiORan cjiOBaiiKaa HtMBOimci. 70 ux ro^os
ABTop B CBoeň paboTe y^enaeT BHMMaHMe onpeRCJienmo
OCHOBHMX B033peHUeCKHX M 3BOJHOqMOHHbIX CJIOCB CJIOBaq-
KOM XTHBOnHCH CeMM^eCHTMX M HauaJia BOCbMM^eCBTblX ro-
^0B. OH ogeHHBaeT MHOxrecTBeHHMň xapaKTep M3obpa3M-
TejibHOM CMTyagMM, KOTopbiM onpe^ejiaeTCH MHOxre-
CTBeHHMM xapaKTepoM pa3BHTHH, a TaKxre ynacTueM
penoro pa^a reHepaqMOHHbix cjioeB B xy^oxrecTBeHHoň
HTM3HM.
ABTop nocTeneHHO paccMaipHBaeT npobJíeMbi B03pox<-
^eHHH SKCnpeCCHBHMX TeHReHgHM B CJIOBagKOM xrMBOnMCH
ceMH^ecHTMx rogOB B KOHTaKTe c eBponeňcKMM pa3BHTneM,
r: TaKxre Bonpocbi pagMOHanbHOM KOHCTpyKgMM
^ Najmä v tvorbě D. Kállaya, K. Ondreičku a M. Mi-
naroviča je grafická a ilustračná tvorba prinajmenej
rovnocenná.
^ Katalog výstavy Mladé slovenské umění. Praha
1957.
^Štúdia je výňatok z rukopisu z roku 1982.
(EecKOHt&xMKTHoe noKOJieHMe?)
B TBopuecTBe CTapmero noKOJieHMH. 3aTeM OH MCCJie^yeT
CTpeMjieHMH, KOTopHe nporpaMMHO HanpaBJíeHbí Ha co-
3HaTeJlbHytO KOHTaMMHaqMtO HHTeJIJieKTHblX H MMarHHaTMB-
HHx KOMnoHeHTOB xy^oxcecTBCHHoro TBopuecKoro axTa.
OCHOBHOM nOJiapHOCTbtO pa3BMTMH aBTOp B CBOeň pabOTe
CHMTaeT HanpameHHOCTb Mexr^y BM3yajibHOM KOHgenpMeň
M MbicjreHHoň anneppengMeü, Koropbie OH HHTepnpe-
THpyer c TOHKM 3peHMH 3aBepmeHHR rnneprHOceojiorn3Ma
npe^mecTBytoH^ero 3Tana c BM3yajibHbiMM cTepeoTMnaMM
Habjno^aTejiH coBpeMeHHOCTM. Ocoboe BHMMaHMe B paboTe
y^ejiaeTCR npobjíeMaTHKe bbiTOBH3Ma B TBopnecTBe caMoro
Mojio^oro noKOJieHHH.
The Young Slovák Painting of the Seventies (A Conflict-Frec Generation?)
This study is designed to set off fundamental con-
ceptual and developmental strata of Slovák painting
of the seventies and early eighties. It assesses the plu-
raliste character of the situation in fine arts, deter-
mined by the pluralistic nature of development, as also
by the participation of several génération strata in
artistic life.
It analyses step by step all aspects of a revival of
expressive tendencies in Slovák painting of the seven-
ties, in contact with European trends and questions
of a rational construction of shape in the works of the
earlier génération. Further, it follows up the ende-
avours tending, in a programmed way, towards a con-
scious contamitation of the intellectual and imaginative
components of an artistic Creative act. As the basic
developmental polarity is here considered to be the
tension between visual and mental perception, both
these being interpreted here from the point of view of
a culmination of hypernoetism of the preceding stage
and as part of a différentiation of the central issue
of the polemics with the visual stereotypes of a perce-
iver of the present times. Special attention is devoted
in this study to the problém of civilism in the work
of the youngest génération.
tych rokov, v ktorej využil dosiahnuté umělecká
poznanie na celkom osobnostnú formuláciu civilistic-
kého maliarskeho názoru. V istom zmysle tým od-
povedal na všeobecné generačná trendy a zároveň
ich ovplyvnil. Jeho nová orientácia sa velmi skoro
dočkala aj zaslúženého ocenenia (GRAND PRIX na
Bienále malby v Kořiciach 1980).
MojiORan cjiOBaiiKaa HtMBOimci. 70 ux ro^os
ABTop B CBoeň paboTe y^enaeT BHMMaHMe onpeRCJienmo
OCHOBHMX B033peHUeCKHX M 3BOJHOqMOHHbIX CJIOCB CJIOBaq-
KOM XTHBOnHCH CeMM^eCHTMX M HauaJia BOCbMM^eCBTblX ro-
^0B. OH ogeHHBaeT MHOxrecTBeHHMň xapaKTep M3obpa3M-
TejibHOM CMTyagMM, KOTopbiM onpe^ejiaeTCH MHOxre-
CTBeHHMM xapaKTepoM pa3BHTHH, a TaKxre ynacTueM
penoro pa^a reHepaqMOHHbix cjioeB B xy^oxrecTBeHHoň
HTM3HM.
ABTop nocTeneHHO paccMaipHBaeT npobJíeMbi B03pox<-
^eHHH SKCnpeCCHBHMX TeHReHgHM B CJIOBagKOM xrMBOnMCH
ceMH^ecHTMx rogOB B KOHTaKTe c eBponeňcKMM pa3BHTneM,
r: TaKxre Bonpocbi pagMOHanbHOM KOHCTpyKgMM
^ Najmä v tvorbě D. Kállaya, K. Ondreičku a M. Mi-
naroviča je grafická a ilustračná tvorba prinajmenej
rovnocenná.
^ Katalog výstavy Mladé slovenské umění. Praha
1957.
^Štúdia je výňatok z rukopisu z roku 1982.
(EecKOHt&xMKTHoe noKOJieHMe?)
B TBopuecTBe CTapmero noKOJieHMH. 3aTeM OH MCCJie^yeT
CTpeMjieHMH, KOTopHe nporpaMMHO HanpaBJíeHbí Ha co-
3HaTeJlbHytO KOHTaMMHaqMtO HHTeJIJieKTHblX H MMarHHaTMB-
HHx KOMnoHeHTOB xy^oxcecTBCHHoro TBopuecKoro axTa.
OCHOBHOM nOJiapHOCTbtO pa3BMTMH aBTOp B CBOeň pabOTe
CHMTaeT HanpameHHOCTb Mexr^y BM3yajibHOM KOHgenpMeň
M MbicjreHHoň anneppengMeü, Koropbie OH HHTepnpe-
THpyer c TOHKM 3peHMH 3aBepmeHHR rnneprHOceojiorn3Ma
npe^mecTBytoH^ero 3Tana c BM3yajibHbiMM cTepeoTMnaMM
Habjno^aTejiH coBpeMeHHOCTM. Ocoboe BHMMaHMe B paboTe
y^ejiaeTCR npobjíeMaTHKe bbiTOBH3Ma B TBopnecTBe caMoro
Mojio^oro noKOJieHHH.
The Young Slovák Painting of the Seventies (A Conflict-Frec Generation?)
This study is designed to set off fundamental con-
ceptual and developmental strata of Slovák painting
of the seventies and early eighties. It assesses the plu-
raliste character of the situation in fine arts, deter-
mined by the pluralistic nature of development, as also
by the participation of several génération strata in
artistic life.
It analyses step by step all aspects of a revival of
expressive tendencies in Slovák painting of the seven-
ties, in contact with European trends and questions
of a rational construction of shape in the works of the
earlier génération. Further, it follows up the ende-
avours tending, in a programmed way, towards a con-
scious contamitation of the intellectual and imaginative
components of an artistic Creative act. As the basic
developmental polarity is here considered to be the
tension between visual and mental perception, both
these being interpreted here from the point of view of
a culmination of hypernoetism of the preceding stage
and as part of a différentiation of the central issue
of the polemics with the visual stereotypes of a perce-
iver of the present times. Special attention is devoted
in this study to the problém of civilism in the work
of the youngest génération.