10
QUITE A LITTLE
HOLIDAY.
An excellent Charitable
Institution, St. Peter’s
Hospital, Covent Garden,
was formally opened last
Thursday, St. Peter’s Day.
Among the “patrons and
friends” present at the
ceremony, was H.E. Car-
dinal Manning. Quite
right. How delighted His
Eminence must have been
on finding himself let in
for (according to the
Morning Post report) ‘ ‘ a
brief religious office, con-
ducted by the Bishop of
St. Albans,” assisted by
the choir of St. Andrews,
Wells Street, and, finally,
at having to receive the
blessing of the Establish-
ment at the hands of the
Bishop of St. Albans,
who “ pronounced the bene-
diction.” “Benediction
coram Cardinali,” mur-
mured His Eminence to
himself. “Well — I am
blessed !—but no matter,”
he continued to a friend,
who had pointed out what
a consolation this scene
would afford to Dr. Pusey,
in addition to His Emi-
nence’s recent change of
opinion on the Deceased
Wife’s Bill—“ Ho matter;
I one blessing from the
j Bishop of St. ‘ All bans ’
j won’t do me much harm.”
[July 8, 1882.
ON PUBLIC GROUNDS.
If Mr. James, M.P. for
Gateshead, instead of both-
ering Mr. Shaw Lefevbe
about Regent’s Park, where
there is already plenty of
ground open to the public,
would stir up the First
Commissioner to inquire
into the condition of Mud-
Salad Market, and the
blockade of the streets
thereabouts, he would do
a good and popular service,
as considerable correspond-
ence on the subject sent to
us testifies. If he would
further inquire into the
locks, bolts, and barriers
on the Duke of Bedford’s
property, Tavistock and
Gordon Square way, en
route for Euston Station,
he would earn the title of
M.P. for Open-Gateshead,
and Londoners would be
glad to bestow it upon him.
The Battle of Waterloo
has been won by Blucher
de Keyser, Sheriff in esse,
Lord Mayor in posse.
0 Waterlow !
Why did you so
Oppose de Keyser ?
Hope now you ’re wiser.
At Stafford House.—
What that meeting had
immediately before them
was the Easton Question.
PUNCH, OR THE LONDON CHARIVARI.
PUNCH’S FANCY PORTRAITS.-No. 91.
MADAME RISTORI.
Ristori d to us this Week.
THE COLLEGE OE DRAMATIC CRITICISM.
[Model Essays.)
Lyceum.—A Lyceum premiere, attended by most distinguished
representatives of Literature and Art.House rose at its popular
favourite.Perhaps not the play of Shakspeare’s calculated
to show the popular lessee to his full advantage.Scenery
splendid.Miss Terry has been better suited with a part.
.... Mounting simply gorgeous.Play depressing, dull, and
wearisome to Nineteenth Century audience.In the interests
of Art, Mr. Irving deserves all success.
St. James’s.—In the interests of Art, a drama adapted from the
French. . .* . . Mother kills her illegitimate daughter, and confesses
fact to her legitimate son.Possibly, novel to English ears,
but full of pathos and dramatic situation.Mr. Hare plays
an elderly gentleman.Mrs. Kendal very womanly.
Mr. Kendal very manly.Will appeal to the more intellectual
class of playgoers.We understand that a new piece is already
in rehearsal.
Drury Lane. — Crammed gallery testified to glories of Old
Drury.Magnificent spectacular effects.Hearty cheers
greeted the bursting of the balloon in mid-air.Enthusiastic
applause was bestowed on the explosion in the coal mine.The
moral lesson shown by the intensely realistic scene depicting the
hanging of the villain (a word of praise is due to the representatives
i of Marwood and the Chaplain) had an intensely beneficial effect.
Certain to draw money to the coffers of the National Temple of the
Drama.
Comedy.—Slightly incoherent plot.Ze Due, le Marquis,
ies Soldats.Pretty ingenue.Music familiar, but tune-
ful.Charming dresses.Bevy of damsels.
Strand and Avenue.—Same as Comedy.
Haymarket.—The great Parisian success.The half-hour
discussion on the best way of forcing asparagus, uninteresting to
British Public.Mr. Bancroft artistic, but at sea without
drawl and. eye-glass.Mr. Conway very pretty, and his
dress shoes warmly applauded.In parts too long.Mrs.
Bancroft very winsome as the school-girl.House wearied.
Gaiety.—Miss Farren.Miss Vaughan.Miss
Connie Gilchrist.Mr. Terry. “ All there ”—as usual.
A HANDBOOK OF KNOWLEDGE.
No. VI.—The British ’Bus.
1. Chiefly concerning the Interior thereof.
Q. What is an Omnibus ?
A. A lumbering vehicle, licensed to carry a fixed number of
passengers, and to torture as many as can be crammed into it.
Q. What is the meaning of the word “ carry,” in this con-
nection F
A. It means simply to convey, in the sense in which luggage is
conveyed in a railway van, calves in a netted market-cart, or pigs
in a Belfast steamer.
Q. But if the vehicle is licensed to accommodate-
A. Pardon me. It is not— emphatically not. Accommodation
implies convenience, comfort, fair apportionment of space—con-
siderations which the constructors, licensers, proprietors, and
conductors of Omnibuses absolutely ignore.
Q. What, then, is their guiding principle ?
A. The same as that of the linen-packer, or cargo-stower—
namely, to get the greatest bulk into the smallest space.
Q. How is this achieved?
A. In the first place by the ingenious manner in which what is
humorously called “sitting-room” is allotted.
Q. Explain how this is done ?
A. By ignoring the doctrine of averages. For example, the
inside of an Omnibus contains barely enough sitting-room for
twelve small and spare persons, without luggage. It is licensed
to carry a dozen people, with no qualification as to bulk or
bundles.
Q. What is the result of this thoughtful arrangement ?
A. That when the vehicle is what is known as, “full inside,”
it is most commonly crammed to agonising and suffocating reple-
tion.
Q. How is this F
A. It results from two facts ; one quite natural, and to be expected,
the other, phenomenal, certainly, but matter of long and conclusive
experience. The first is, that the average omnibus passenger is,
more or less, obese. The second is, that he, or she, is inordinately
addicted to big bundles. Both these facts are systematically ignored
QUITE A LITTLE
HOLIDAY.
An excellent Charitable
Institution, St. Peter’s
Hospital, Covent Garden,
was formally opened last
Thursday, St. Peter’s Day.
Among the “patrons and
friends” present at the
ceremony, was H.E. Car-
dinal Manning. Quite
right. How delighted His
Eminence must have been
on finding himself let in
for (according to the
Morning Post report) ‘ ‘ a
brief religious office, con-
ducted by the Bishop of
St. Albans,” assisted by
the choir of St. Andrews,
Wells Street, and, finally,
at having to receive the
blessing of the Establish-
ment at the hands of the
Bishop of St. Albans,
who “ pronounced the bene-
diction.” “Benediction
coram Cardinali,” mur-
mured His Eminence to
himself. “Well — I am
blessed !—but no matter,”
he continued to a friend,
who had pointed out what
a consolation this scene
would afford to Dr. Pusey,
in addition to His Emi-
nence’s recent change of
opinion on the Deceased
Wife’s Bill—“ Ho matter;
I one blessing from the
j Bishop of St. ‘ All bans ’
j won’t do me much harm.”
[July 8, 1882.
ON PUBLIC GROUNDS.
If Mr. James, M.P. for
Gateshead, instead of both-
ering Mr. Shaw Lefevbe
about Regent’s Park, where
there is already plenty of
ground open to the public,
would stir up the First
Commissioner to inquire
into the condition of Mud-
Salad Market, and the
blockade of the streets
thereabouts, he would do
a good and popular service,
as considerable correspond-
ence on the subject sent to
us testifies. If he would
further inquire into the
locks, bolts, and barriers
on the Duke of Bedford’s
property, Tavistock and
Gordon Square way, en
route for Euston Station,
he would earn the title of
M.P. for Open-Gateshead,
and Londoners would be
glad to bestow it upon him.
The Battle of Waterloo
has been won by Blucher
de Keyser, Sheriff in esse,
Lord Mayor in posse.
0 Waterlow !
Why did you so
Oppose de Keyser ?
Hope now you ’re wiser.
At Stafford House.—
What that meeting had
immediately before them
was the Easton Question.
PUNCH, OR THE LONDON CHARIVARI.
PUNCH’S FANCY PORTRAITS.-No. 91.
MADAME RISTORI.
Ristori d to us this Week.
THE COLLEGE OE DRAMATIC CRITICISM.
[Model Essays.)
Lyceum.—A Lyceum premiere, attended by most distinguished
representatives of Literature and Art.House rose at its popular
favourite.Perhaps not the play of Shakspeare’s calculated
to show the popular lessee to his full advantage.Scenery
splendid.Miss Terry has been better suited with a part.
.... Mounting simply gorgeous.Play depressing, dull, and
wearisome to Nineteenth Century audience.In the interests
of Art, Mr. Irving deserves all success.
St. James’s.—In the interests of Art, a drama adapted from the
French. . .* . . Mother kills her illegitimate daughter, and confesses
fact to her legitimate son.Possibly, novel to English ears,
but full of pathos and dramatic situation.Mr. Hare plays
an elderly gentleman.Mrs. Kendal very womanly.
Mr. Kendal very manly.Will appeal to the more intellectual
class of playgoers.We understand that a new piece is already
in rehearsal.
Drury Lane. — Crammed gallery testified to glories of Old
Drury.Magnificent spectacular effects.Hearty cheers
greeted the bursting of the balloon in mid-air.Enthusiastic
applause was bestowed on the explosion in the coal mine.The
moral lesson shown by the intensely realistic scene depicting the
hanging of the villain (a word of praise is due to the representatives
i of Marwood and the Chaplain) had an intensely beneficial effect.
Certain to draw money to the coffers of the National Temple of the
Drama.
Comedy.—Slightly incoherent plot.Ze Due, le Marquis,
ies Soldats.Pretty ingenue.Music familiar, but tune-
ful.Charming dresses.Bevy of damsels.
Strand and Avenue.—Same as Comedy.
Haymarket.—The great Parisian success.The half-hour
discussion on the best way of forcing asparagus, uninteresting to
British Public.Mr. Bancroft artistic, but at sea without
drawl and. eye-glass.Mr. Conway very pretty, and his
dress shoes warmly applauded.In parts too long.Mrs.
Bancroft very winsome as the school-girl.House wearied.
Gaiety.—Miss Farren.Miss Vaughan.Miss
Connie Gilchrist.Mr. Terry. “ All there ”—as usual.
A HANDBOOK OF KNOWLEDGE.
No. VI.—The British ’Bus.
1. Chiefly concerning the Interior thereof.
Q. What is an Omnibus ?
A. A lumbering vehicle, licensed to carry a fixed number of
passengers, and to torture as many as can be crammed into it.
Q. What is the meaning of the word “ carry,” in this con-
nection F
A. It means simply to convey, in the sense in which luggage is
conveyed in a railway van, calves in a netted market-cart, or pigs
in a Belfast steamer.
Q. But if the vehicle is licensed to accommodate-
A. Pardon me. It is not— emphatically not. Accommodation
implies convenience, comfort, fair apportionment of space—con-
siderations which the constructors, licensers, proprietors, and
conductors of Omnibuses absolutely ignore.
Q. What, then, is their guiding principle ?
A. The same as that of the linen-packer, or cargo-stower—
namely, to get the greatest bulk into the smallest space.
Q. How is this achieved?
A. In the first place by the ingenious manner in which what is
humorously called “sitting-room” is allotted.
Q. Explain how this is done ?
A. By ignoring the doctrine of averages. For example, the
inside of an Omnibus contains barely enough sitting-room for
twelve small and spare persons, without luggage. It is licensed
to carry a dozen people, with no qualification as to bulk or
bundles.
Q. What is the result of this thoughtful arrangement ?
A. That when the vehicle is what is known as, “full inside,”
it is most commonly crammed to agonising and suffocating reple-
tion.
Q. How is this F
A. It results from two facts ; one quite natural, and to be expected,
the other, phenomenal, certainly, but matter of long and conclusive
experience. The first is, that the average omnibus passenger is,
more or less, obese. The second is, that he, or she, is inordinately
addicted to big bundles. Both these facts are systematically ignored
Werk/Gegenstand/Objekt
Titel
Titel/Objekt
Punch's fancy portraits. - No. 91
Weitere Titel/Paralleltitel
Serientitel
Punch
Sachbegriff/Objekttyp
Inschrift/Wasserzeichen
Aufbewahrung/Standort
Aufbewahrungsort/Standort (GND)
Inv. Nr./Signatur
H 634-3 Folio
Objektbeschreibung
Objektbeschreibung
Bildunterschrift: Madame Ristori. Ristored to us this week.
Maß-/Formatangaben
Auflage/Druckzustand
Werktitel/Werkverzeichnis
Herstellung/Entstehung
Künstler/Urheber/Hersteller (GND)
Entstehungsdatum
um 1882
Entstehungsdatum (normiert)
1877 - 1887
Entstehungsort (GND)
Auftrag
Publikation
Fund/Ausgrabung
Provenienz
Restaurierung
Sammlung Eingang
Ausstellung
Bearbeitung/Umgestaltung
Thema/Bildinhalt
Thema/Bildinhalt (GND)
Literaturangabe
Rechte am Objekt
Aufnahmen/Reproduktionen
Künstler/Urheber (GND)
Reproduktionstyp
Digitales Bild
Rechtsstatus
Public Domain Mark 1.0
Creditline
Punch, 83.1882, July 8, 1882, S. 10
Beziehungen
Erschließung
Lizenz
CC0 1.0 Public Domain Dedication
Rechteinhaber
Universitätsbibliothek Heidelberg