Studio: international art (49.1910)

Studio-Talk

bund some three years ago.
He has given soft contours
to his woods, and has suc-
ceeded in delineating the
rush of the waters, the
whiteness and softness of
the snow, the rich verdure
of the summer, the red-
browns of autumn. Gino
Parin, Josef Ullmann, Alois
Kalvoda, Gustav Gwoz-
decki, R. Sieck, Otto
Briinauer, and Henryk von
Uziemblo were also well
represented.

‘THE old bridge

[Kiinstlergenossenschaft, Vienna) BY jehudo etstein

is this which makes his work so attractive. His
water-colour drawing, Marquise de Pompadour, a
nude figure in a landscape,
is a work marked by
much daintiness and fresh-
ness of execution and by
a general air of refinement.

Hugo Baar showed some
tender snow-scenes and
spring-time motives from
his native home in Moravia.
This artist is a keen
observer of nature in all
her whims and all her
fancies, and though the
titles of his pictures are
often the same there is
nothing monotonous about
his work. Jakob Glasner
contributed a work of merit, A Peasant’s Cottage
in the Tatra. Armin Horowitz, a son of the

Otto Barth contributed
some fine landscapes —
charming bits from Purg-
stall in Lower Austria,
where he has painted many
views of the old castle
whose old roofs and grey
walls he has so feelingly
rendered. It is the
ancient garden of this
castle that provides Count
Herbert Schaffgotsch with
those rare woods used in
his in tarsi a landscapes.
The Count has without
doubt made great advance
in his work since he first
exhibited at the Hagen-

O ■ C -x-SKC. • .■

‘HAI.LE AM saale ” (water-colour) (Hagenbund, Vienna) BY OSKAR LASKE

a»- ,

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