Studio: international art — 66.1915

Page: 214
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https://digi.ub.uni-heidelberg.de/diglit/studio1915c/0220
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0.5
1 cm
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Studio-Talk

some worthy pictures, such
as the portraits by F. T.
Copnall, R. E. Morrison,
Will c. Penn, and G. Hall
Neale; oil landscapes by
James Tt Watts, Herbert
Royle, Thomas Huson,
Hamilton Hay, William
Hoggatt, David Woodlock,
and W. Alison Martin.
Capable subject - pictures
include Sarah Jane by
Gilbert Rogers and Maria
Virgo by Miss May
Cooksey.

The chief pictures by
outside artists include the
Chantrey Greiffenhagen,

Women by a Lake, W.

Orpen’s Marchioness of
Headfort and Western
Wedding, Richard Jack’s

admirable portrait of Mr. Pomeroy and his
Homeless, Lee Hankey’s Performitig Bear, Arnesby
Brown’s Wide Marshes, Wilson Steer’s Deserted

‘THE VANITY GLASS

“NETHER LOCHABER ”

BY ROBERT HOPE, A.R.S.A.

Quarry, Gerald Moira’s A July Day, Unduie by
Arthur Rackham, Francis Howard’s Ititerlude, a
nude by A. Mancini, L. G. Macarthur’s Dighting

Beans, Tom
Mostyn’s A
Garden of Peace,
A Sussex Stone
Qu a r ry b y
Oliver Hall,
Howard Somer-
ville’s In the
Studio, No. 2,
Cloudless June
by Jose Weiss,
and H. A. Oli-
vier’s Where
Belgium greeted
Britain. The
Scottish school,
always well
represented at
Liverpool, is
especially so this
year, by a large
number of ex-
hibits, which in-
clude Nether
Lochaber and
two drawings by
D. Y. Cameron,

BY D. Y. CAMERON, A.R.A., A.R.S.A. Gemmell Hut-

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