DOI Artikel:
Studio-talk
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.21214#0293
Studio-Talk
TROPHY CUP
DESIGNED AND EXECUTED BY
MISS DE C. LEWTHWAITE DEWAR
SILVER TEA-CADDY
DESIGNED AND EXECUTED BY
MISS K. M. EADIE
The other illustration (p. 285)
presents a general view of the
tenth room, where black and white
art of all styles was represented,
a great amount of hanging space
being provided by the use of
screens, with well-designed pedes-
tals which, while doing away with
the temporary and tawdry appear-
ance that such things usually
present, also provide excellent
stations for minor sculpture. The
walls being panelled to the same
height provide further accommo-
dation for prints. Here, the only
colour-pictures, except some large
oils hung above the wall panels,
wereafew, decorative in character,
which were more appropriately
shown in this section, on the two
nearest screens in the picture.
The second screen on the right
was the one devoted to the one-
man exhibit of Mr. James McBey.
Examples of Modern British
Art Keramics were shown in six cases placed were also examples of wood-carving, repousse metal-
between the screens, and another case, seen in the work, artistic jewellery, enamel, silver plate, pewter
distance, was devoted to Mr. Carter Preston’s work, &c. Two notable caskets were those by
“ Plychrome ” grotesque portraits of generals and Mr. Harold Stabler and Miss De C. Lewthwaite
statesmen and quaint mythological monsters. There Dewar, the former of silver, with cloisonne
enamel deco-
rations show-
ing delightful
fancy in happy
combination
with fine work-
manship ; the
latter of zinc
with enamel
panels. Miss
Dewar, whose
quaint Celtic
touch is very
engaging, also
showed an ex-
cellent trophy
cup. Miss
K. M. Eadie’s
silver tea-caddy
with elaborate
wire-work de-
coration was
another effec-
CASKET DESIGNED AND EXECUTED BY MISS DE C. LEWTHWAITE DEWAR tive exhibit.
287
TROPHY CUP
DESIGNED AND EXECUTED BY
MISS DE C. LEWTHWAITE DEWAR
SILVER TEA-CADDY
DESIGNED AND EXECUTED BY
MISS K. M. EADIE
The other illustration (p. 285)
presents a general view of the
tenth room, where black and white
art of all styles was represented,
a great amount of hanging space
being provided by the use of
screens, with well-designed pedes-
tals which, while doing away with
the temporary and tawdry appear-
ance that such things usually
present, also provide excellent
stations for minor sculpture. The
walls being panelled to the same
height provide further accommo-
dation for prints. Here, the only
colour-pictures, except some large
oils hung above the wall panels,
wereafew, decorative in character,
which were more appropriately
shown in this section, on the two
nearest screens in the picture.
The second screen on the right
was the one devoted to the one-
man exhibit of Mr. James McBey.
Examples of Modern British
Art Keramics were shown in six cases placed were also examples of wood-carving, repousse metal-
between the screens, and another case, seen in the work, artistic jewellery, enamel, silver plate, pewter
distance, was devoted to Mr. Carter Preston’s work, &c. Two notable caskets were those by
“ Plychrome ” grotesque portraits of generals and Mr. Harold Stabler and Miss De C. Lewthwaite
statesmen and quaint mythological monsters. There Dewar, the former of silver, with cloisonne
enamel deco-
rations show-
ing delightful
fancy in happy
combination
with fine work-
manship ; the
latter of zinc
with enamel
panels. Miss
Dewar, whose
quaint Celtic
touch is very
engaging, also
showed an ex-
cellent trophy
cup. Miss
K. M. Eadie’s
silver tea-caddy
with elaborate
wire-work de-
coration was
another effec-
CASKET DESIGNED AND EXECUTED BY MISS DE C. LEWTHWAITE DEWAR tive exhibit.
287