the Carolingians, a beacon of a New Europe assert-
ing itself after an interregnum of several centuries,
and paving the way for yet another New Europe
of the High Middle Ages. An image which créâtes
a new landscape where there is no more place for
a low, boxlike Christian temple. In that, as we hâve
already stated, the westwork is "anti-renovational",
^ AILLAGON, J-J. (ed.): [Exhib. Cat.]
Venice 2008, p. 31.
The author would like to thank the foRowing coReagues and
institutions for the help in writing this article: Ivo Babic, Xavi-
er Barrai i Altet, Vitomir Belaj, Vedrana Delonga, Krešimir
Filipec, Ivan Gérât, Nataša Golob, Vjekoslavjukič, Radoslav
Katičič, Ante MRoševič, Andrej Pieterski, Bibiana Pomfyová,
"anti-Carolingian'f In that the Palatine Chapel in
Aachen is a shining example of that
A pfognttf, rkV invoked
by Francois Pinault in his introductory words to the
catalogue of the exhibition /^řB^r^nk^rin
the Palazzo Gras si in Venice A
Martin Vančo; Museum of Croatian Archeological Monu-
ments in Split (Director Tomislav Šeparovié, Photographer
Zoran Alajbeg). The resaerch for thts article was supported by
the project Dr^y^
(Mk/rř, Ríinistry of Science of the Repubkc of
Croatia, No. 009-1300623-0946. We also thank our permanent
sponsor for cartography, Državna geodetska úprava (Chief
Surveyor's Ofhce) of the Republic of Croatia.
22
ing itself after an interregnum of several centuries,
and paving the way for yet another New Europe
of the High Middle Ages. An image which créâtes
a new landscape where there is no more place for
a low, boxlike Christian temple. In that, as we hâve
already stated, the westwork is "anti-renovational",
^ AILLAGON, J-J. (ed.): [Exhib. Cat.]
Venice 2008, p. 31.
The author would like to thank the foRowing coReagues and
institutions for the help in writing this article: Ivo Babic, Xavi-
er Barrai i Altet, Vitomir Belaj, Vedrana Delonga, Krešimir
Filipec, Ivan Gérât, Nataša Golob, Vjekoslavjukič, Radoslav
Katičič, Ante MRoševič, Andrej Pieterski, Bibiana Pomfyová,
"anti-Carolingian'f In that the Palatine Chapel in
Aachen is a shining example of that
A pfognttf, rkV invoked
by Francois Pinault in his introductory words to the
catalogue of the exhibition /^řB^r^nk^rin
the Palazzo Gras si in Venice A
Martin Vančo; Museum of Croatian Archeological Monu-
ments in Split (Director Tomislav Šeparovié, Photographer
Zoran Alajbeg). The resaerch for thts article was supported by
the project Dr^y^
(Mk/rř, Ríinistry of Science of the Repubkc of
Croatia, No. 009-1300623-0946. We also thank our permanent
sponsor for cartography, Državna geodetska úprava (Chief
Surveyor's Ofhce) of the Republic of Croatia.
22