DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.19571#0304
b in:
COLOURS; indigo, Spanifh the bed: 63
:-fioalt, bice, litmus, cr latmus 64
Clafs in. YELLO \V.
t-king's yellow — -65
-Naples yellow ar.d yellow oker 66
•- Dutch pi:\U and how to make it
perfect — - - 67
-Englifh pink — — 67
-Light pink, gamboge, maftfc:>t 68
-common orpiment, andgall (tones,
or a good (ubfntifte -69
-terra c'j lieuna tuiburnt - 70
-turpeth mineral,itspreparai ion ib.
-yellow walh from French harries 71
-turmeric wafli - — ib.
-tincture of (afl'ron — - 72
-zedoary warn — -ib.
C\3& IV. GREEN.
—r- verdigi ife — _—72
-chryllak,-or diuilled verdigrife 73
•-lap green, Pru/Ban green ar.d their
procels — — — — 74
Clafs V. PURPLE.
-Indian red — — — 75
-aichal, «jr orsba] — —i'o.
Clafs VI. BRO W N.
-brown pink and billre - J&
-brqwn oker, Cologn and Japan
earth. — — . ■- 7 7
■-umber, afnhaltnm, and Soanidi
juice, or exract qf liquorice — 78
Clafs VII. W H I T E.
-white lead — — 79
-burnt hartfhorn and pear] white 80
--■ trav white, and eag-lbell white Si
Clafs VIII. B~L ACK.
-lampblack — — — b.
-ir rv black and Indian ink — 82.
CHAYOVS. iheu-perfeifdon,acc — Up
-prepai a lion - - ib.
--Red-; carmine and la' e — 131
-vttrniiliian and native cinnabar 133
-— Bhics; Pruilian blue, verditer ib.
-Greens; brilliant greens — 134
-Yellows; king's vellow, orange b.
-Browns; Ci, lien's eai th, umber 135
-purples; FrulfianblLe — ib.
--■ Black ; lamp black -ib. -
CRAYON" rolling, and difpnfing them
fir painting - - 136
■-bedding and arrangement- L37
QESfGNlKfw and its eilenlial reuui-
fites — — — - (f>
-principal rules regarding defign 20
1>RA'\\ !N'G, preliminary to "■— 7
-the f >un kto.i of polite arts 11
-materials necc-Iiary for drawing 12
-iiiiifucti>>!t.< to iwebch an outline ill.
----rides fin- drawing a head — ib.
■—- an oval n\-.n,i.iu:':<Seil to produce a
narjftty of faces — — — 1 ^ .
--f- a lesion ii oju Treiibny f..r clrav. ing
a human figure — — — 14.
--a liighc iketch of a figure, is.dead
of hnifhing the head til It - 16
--drapery conducted — — 17
•-dra vviiigsof 1.hebeft millers highly
neced u v torn young beginaer — i3
ENAMEL gikjunds: to apply the ena-
mel to iae beii ad1outage ' — ijS
E X.
ENAMEL grounds; management of
pictures and dial-plate-, to prevent
warping - - 139
--what cafes coal may be tiled in u-.o
ENAMEL painting - - u;
--what metals bear a fufficient to
fuftain the necelia'-y heat — U2
-fluid body for th" ground, 8 c. 143
--Venice and Dreiuen formerly mo-
nopolized thele preparations -— io.
■-other requi/ites neceflary 144
-expe; ience neceflary to prepare
with certainty — — 1^5
-l'ubltances for forming fluxes ib.
-borax, and common lalt ufeful ij6
-fubitances u!'ed for forming the
body of enamel, or fluxes — 147
-fubftances uied for white — i.-8
-ultramarine, or light blues; ul-
tramarine allies, for l'emi-tranlparent
ligh*- blues; carter, fir blue, g'een,
purple, and black colours — i ;o
-magnefia, broken crimfon 5 fmalt
as a blue — _— — 151
-gold to produce a crimfon, or ruby;
filver, a yellow ; copper, green, bine,
and red; iron, orange red, or fbtij
fcarlet — '— — 152
-glais of antimony, orange; orpi-
ment, vellow — - 153
-borax the moft active flux aimnglt
falts — — — - ib.
ENGRAVING - — J 96
-1 to temper and hold the graver 197
-straight and eroofced ftroi.es — 198
-firit copies ; a faff* of fan paper to
nreferve the fight — - 199
ETCHING and engraving ; proper lub-
jects, materials, tools, and laying the
ground — - - 192
-direction for tracing— — 193
-etching needles ; bil ing, cr eating
the work with aquafortis — 194
-management of the aquafortis 195
EXPRESSION of the padn ns — 21
-graceful attitudes, light, made,
grief, joy, Sic. — — —■ ib.
-landfcanes of Diderich, battles of
Burg.'gnone, and le Bruus pa'lions 22
-anecdote of the famous Pietro de
Coreona - — — — s3
--dumb men recommended by Lic-
nardo Vinci, as the belt mailers from
Whom to copy expreilion -ib.
-ftrange relations of a .tient palm-
ers ; a woman mortally wounded,
with a child era--, ling t.i her bread:,
by Ariflides ; a Medea murdering her
children, by TiBJomachas, Sic. — 24
-the man iage fealt at Caua-of-Ga-
lilee. by P&olo Veroi el'e - 25
-Michael Aftgejto lcrupulouiiy ex-
act ifl p int of anatomy — — ib.
-Domin china and PouiTin great
inalte: s of cxprelhon — — ib.
-Raphael ibvereigri mailer of them
all — — — — — 26
-Quintiiian alMrms, that painting
has mol e power over us than all the
aru uf rhetorkk -— -ib,
EXPRESSION
COLOURS; indigo, Spanifh the bed: 63
:-fioalt, bice, litmus, cr latmus 64
Clafs in. YELLO \V.
t-king's yellow — -65
-Naples yellow ar.d yellow oker 66
•- Dutch pi:\U and how to make it
perfect — - - 67
-Englifh pink — — 67
-Light pink, gamboge, maftfc:>t 68
-common orpiment, andgall (tones,
or a good (ubfntifte -69
-terra c'j lieuna tuiburnt - 70
-turpeth mineral,itspreparai ion ib.
-yellow walh from French harries 71
-turmeric wafli - — ib.
-tincture of (afl'ron — - 72
-zedoary warn — -ib.
C\3& IV. GREEN.
—r- verdigi ife — _—72
-chryllak,-or diuilled verdigrife 73
•-lap green, Pru/Ban green ar.d their
procels — — — — 74
Clafs V. PURPLE.
-Indian red — — — 75
-aichal, «jr orsba] — —i'o.
Clafs VI. BRO W N.
-brown pink and billre - J&
-brqwn oker, Cologn and Japan
earth. — — . ■- 7 7
■-umber, afnhaltnm, and Soanidi
juice, or exract qf liquorice — 78
Clafs VII. W H I T E.
-white lead — — 79
-burnt hartfhorn and pear] white 80
--■ trav white, and eag-lbell white Si
Clafs VIII. B~L ACK.
-lampblack — — — b.
-ir rv black and Indian ink — 82.
CHAYOVS. iheu-perfeifdon,acc — Up
-prepai a lion - - ib.
--Red-; carmine and la' e — 131
-vttrniiliian and native cinnabar 133
-— Bhics; Pruilian blue, verditer ib.
-Greens; brilliant greens — 134
-Yellows; king's vellow, orange b.
-Browns; Ci, lien's eai th, umber 135
-purples; FrulfianblLe — ib.
--■ Black ; lamp black -ib. -
CRAYON" rolling, and difpnfing them
fir painting - - 136
■-bedding and arrangement- L37
QESfGNlKfw and its eilenlial reuui-
fites — — — - (f>
-principal rules regarding defign 20
1>RA'\\ !N'G, preliminary to "■— 7
-the f >un kto.i of polite arts 11
-materials necc-Iiary for drawing 12
-iiiiifucti>>!t.< to iwebch an outline ill.
----rides fin- drawing a head — ib.
■—- an oval n\-.n,i.iu:':<Seil to produce a
narjftty of faces — — — 1 ^ .
--f- a lesion ii oju Treiibny f..r clrav. ing
a human figure — — — 14.
--a liighc iketch of a figure, is.dead
of hnifhing the head til It - 16
--drapery conducted — — 17
•-dra vviiigsof 1.hebeft millers highly
neced u v torn young beginaer — i3
ENAMEL gikjunds: to apply the ena-
mel to iae beii ad1outage ' — ijS
E X.
ENAMEL grounds; management of
pictures and dial-plate-, to prevent
warping - - 139
--what cafes coal may be tiled in u-.o
ENAMEL painting - - u;
--what metals bear a fufficient to
fuftain the necelia'-y heat — U2
-fluid body for th" ground, 8 c. 143
--Venice and Dreiuen formerly mo-
nopolized thele preparations -— io.
■-other requi/ites neceflary 144
-expe; ience neceflary to prepare
with certainty — — 1^5
-l'ubltances for forming fluxes ib.
-borax, and common lalt ufeful ij6
-fubitances u!'ed for forming the
body of enamel, or fluxes — 147
-fubftances uied for white — i.-8
-ultramarine, or light blues; ul-
tramarine allies, for l'emi-tranlparent
ligh*- blues; carter, fir blue, g'een,
purple, and black colours — i ;o
-magnefia, broken crimfon 5 fmalt
as a blue — _— — 151
-gold to produce a crimfon, or ruby;
filver, a yellow ; copper, green, bine,
and red; iron, orange red, or fbtij
fcarlet — '— — 152
-glais of antimony, orange; orpi-
ment, vellow — - 153
-borax the moft active flux aimnglt
falts — — — - ib.
ENGRAVING - — J 96
-1 to temper and hold the graver 197
-straight and eroofced ftroi.es — 198
-firit copies ; a faff* of fan paper to
nreferve the fight — - 199
ETCHING and engraving ; proper lub-
jects, materials, tools, and laying the
ground — - - 192
-direction for tracing— — 193
-etching needles ; bil ing, cr eating
the work with aquafortis — 194
-management of the aquafortis 195
EXPRESSION of the padn ns — 21
-graceful attitudes, light, made,
grief, joy, Sic. — — —■ ib.
-landfcanes of Diderich, battles of
Burg.'gnone, and le Bruus pa'lions 22
-anecdote of the famous Pietro de
Coreona - — — — s3
--dumb men recommended by Lic-
nardo Vinci, as the belt mailers from
Whom to copy expreilion -ib.
-ftrange relations of a .tient palm-
ers ; a woman mortally wounded,
with a child era--, ling t.i her bread:,
by Ariflides ; a Medea murdering her
children, by TiBJomachas, Sic. — 24
-the man iage fealt at Caua-of-Ga-
lilee. by P&olo Veroi el'e - 25
-Michael Aftgejto lcrupulouiiy ex-
act ifl p int of anatomy — — ib.
-Domin china and PouiTin great
inalte: s of cxprelhon — — ib.
-Raphael ibvereigri mailer of them
all — — — — — 26
-Quintiiian alMrms, that painting
has mol e power over us than all the
aru uf rhetorkk -— -ib,
EXPRESSION