DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.69015#0139
XVI™ CENTURY BOOKS
ill
133 Ovidius Naso, P. Metamorphosis c"u luculentissimis Raphaelis Regii enarratioi-
bus. Venetiis, per Georgium Rusconem de Mediolano, 1521. fol. 10 unn.,
172 numb. II. With large woodc. border on the title, a woodcut
rhumb-card on 1. AA]0 v., 1 woodc. headpiece, and 60 illustrations
in the.text. Limp vellum. Frs. 180.—
Prince d’Essling I, 232, 233.
The text is surrounded by the commentary printed in 2 columns.
The woodcut „Hominis creatio” on I, 6 r. is signed with L (anonymous woodcutter, cf. Nagler
Monogr. IV, 876), the woodcut on 1. 33 v. with M, which Nagler, Monogr. IV, 1441 ascribes to
Ben e d. Montagna.
First 11. stained, otherwise a good copy.
134 Petrus Galatimis. De arcanis Catholicae veritatis contra obstinatissi-
mam Judaeorum nostrae tempestatis perfidiam; ex Talmude, aliisque
Hebraicis libris nuper excerptum, et quadruplici linguarum genere
eleganter congestum. Ortona di Mare, Jeronimo Soncino, 1518.
Fol. With Hebrew type in the text. 311 numb, leaves + 1
unn. 1. With 11 fine woodcut-borders on black back-
grounds and numerous fine woodcut capitals. Full brown
Russia, decorated with gilt line borders & corner pieces, gilt back.
Frs. 600.—
Brunet II, 1447: "Edition originale". Fumagalli, p. 268. Manzoni II, p.
464—70. First edition of a very important work with many passages not con-
tained in later editions.
First Book printed at Ortona in the Abruzzi, in the famous printing-
office of Soncino.
This beautifully printed work, one of the finest books printed by Hieroni-
mus Soncino, is a defence of the Roman Catholic religion against Judaism, and
at the same time defends Reuchlin (Capnio) against the attacks of his contempo-
raries. It is an important work in the „ Battle of the Hebrew Books”, in which
Reuchlin played the chief part.
The book is arranged in the form of dialogues betwen Capnio (Reuchlin).
Hodistraten, and Galatinus himself, on the Talmud, and other important Heb-
rew books, which throw a flood of hight on the Bible-
Very fine copy of this rare book. The first page is carefully re-
paired on right margin; slightly brownstained at beginning and end. Fine
bindin g.
135 Pistule, i Evanyelya po sfe godischie harvatschim yazichom stumacena. Nouo
pristampana. Venetia, per Giouan’ Antonio Rampazetto, 1586. 4to. Printed in
red and black. 6 unn. IL, 116 numb. 11. 2 col. With printer’s device of
Sessa, 1 full-page woodcut, 12 vignettes in the calendar at the
beginning, 121 small woodcuts in the text (some repeated). Old limp
vellum. Frs. 480.—
The Epistles and Gospels in Old Croatian Language.
Safarik, Geschichte der siidslavischen Literatur, p. 197 mentions only 2 copies of this extre-
mely rare, first known edition of 1586, one at the Hofbibliothek at Vienna, the other at Laibadi.
Translator is the poet Benedict Zboric from Trau in.Dalmatia.
The fullpage woodcut represents the genealogical tree of Jesse, the evangelists and biblical scenes
The first and last leaves are slightly wormholed, otherwise fine copy.
GILHOFER & RANSCHBURG, WIEN I, BOGNERGASSE Nr. 2.
ill
133 Ovidius Naso, P. Metamorphosis c"u luculentissimis Raphaelis Regii enarratioi-
bus. Venetiis, per Georgium Rusconem de Mediolano, 1521. fol. 10 unn.,
172 numb. II. With large woodc. border on the title, a woodcut
rhumb-card on 1. AA]0 v., 1 woodc. headpiece, and 60 illustrations
in the.text. Limp vellum. Frs. 180.—
Prince d’Essling I, 232, 233.
The text is surrounded by the commentary printed in 2 columns.
The woodcut „Hominis creatio” on I, 6 r. is signed with L (anonymous woodcutter, cf. Nagler
Monogr. IV, 876), the woodcut on 1. 33 v. with M, which Nagler, Monogr. IV, 1441 ascribes to
Ben e d. Montagna.
First 11. stained, otherwise a good copy.
134 Petrus Galatimis. De arcanis Catholicae veritatis contra obstinatissi-
mam Judaeorum nostrae tempestatis perfidiam; ex Talmude, aliisque
Hebraicis libris nuper excerptum, et quadruplici linguarum genere
eleganter congestum. Ortona di Mare, Jeronimo Soncino, 1518.
Fol. With Hebrew type in the text. 311 numb, leaves + 1
unn. 1. With 11 fine woodcut-borders on black back-
grounds and numerous fine woodcut capitals. Full brown
Russia, decorated with gilt line borders & corner pieces, gilt back.
Frs. 600.—
Brunet II, 1447: "Edition originale". Fumagalli, p. 268. Manzoni II, p.
464—70. First edition of a very important work with many passages not con-
tained in later editions.
First Book printed at Ortona in the Abruzzi, in the famous printing-
office of Soncino.
This beautifully printed work, one of the finest books printed by Hieroni-
mus Soncino, is a defence of the Roman Catholic religion against Judaism, and
at the same time defends Reuchlin (Capnio) against the attacks of his contempo-
raries. It is an important work in the „ Battle of the Hebrew Books”, in which
Reuchlin played the chief part.
The book is arranged in the form of dialogues betwen Capnio (Reuchlin).
Hodistraten, and Galatinus himself, on the Talmud, and other important Heb-
rew books, which throw a flood of hight on the Bible-
Very fine copy of this rare book. The first page is carefully re-
paired on right margin; slightly brownstained at beginning and end. Fine
bindin g.
135 Pistule, i Evanyelya po sfe godischie harvatschim yazichom stumacena. Nouo
pristampana. Venetia, per Giouan’ Antonio Rampazetto, 1586. 4to. Printed in
red and black. 6 unn. IL, 116 numb. 11. 2 col. With printer’s device of
Sessa, 1 full-page woodcut, 12 vignettes in the calendar at the
beginning, 121 small woodcuts in the text (some repeated). Old limp
vellum. Frs. 480.—
The Epistles and Gospels in Old Croatian Language.
Safarik, Geschichte der siidslavischen Literatur, p. 197 mentions only 2 copies of this extre-
mely rare, first known edition of 1586, one at the Hofbibliothek at Vienna, the other at Laibadi.
Translator is the poet Benedict Zboric from Trau in.Dalmatia.
The fullpage woodcut represents the genealogical tree of Jesse, the evangelists and biblical scenes
The first and last leaves are slightly wormholed, otherwise fine copy.
GILHOFER & RANSCHBURG, WIEN I, BOGNERGASSE Nr. 2.
