(avoidance of explicit historical references; abandonment of Romanesąue-Gothic detail;
introduction of decoration based on Art Nouveau and folk motifs), this being responsible
for a definitely novel character of the structure as seen against a background of the contem-
porary sacred architecture. A conspicuous departure in the convent form from a dogmatic
treatment of the past was undoubtedly inspired by the then popular theoretical writings of
John Ruskin (Seven Lamps of Architecture) and Otto Wagner (Modernę Architektur).
The spatial and functional arrangement of the edifice was decided by the reąuirement
of observance of the Carmelite rule and the binding conventual regulations. The history
of the construction of the convent testifies to the founder's considerable influence on the
architectural form of the building.
114
introduction of decoration based on Art Nouveau and folk motifs), this being responsible
for a definitely novel character of the structure as seen against a background of the contem-
porary sacred architecture. A conspicuous departure in the convent form from a dogmatic
treatment of the past was undoubtedly inspired by the then popular theoretical writings of
John Ruskin (Seven Lamps of Architecture) and Otto Wagner (Modernę Architektur).
The spatial and functional arrangement of the edifice was decided by the reąuirement
of observance of the Carmelite rule and the binding conventual regulations. The history
of the construction of the convent testifies to the founder's considerable influence on the
architectural form of the building.
114