DOI Artikel:
Materniak, Beata: Zespół portretów oraz obraz ołtarzowy Wskrzeszenie Piotrowina z kaplicy Oświęcimów przy kościele OO. Franciszkanów w Krośnie
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.27562#0127
ZESPÓŁ PORTRETÓW ORAZ OBRAZ OŁTARZOWY WSKRZESZENIE PIOTROWINA \25
be ascribed to the disciples of Dolabella. The altar painting crowning the gallery was most
probably according to the northern graphie patterns, as a work from the workshop od Dolabella
and his disciples.
Founding the chapel, Oświęcim entrusted its completion to a pleiad of Italian artists. The
painting décor was presumably given to Tomasz Dolabella. The fact that the second wife of
the artist, Jadwiga Łopacka, was a Krosno townswoman was not without significance. An
additionał argument to support that standpoint can be found if we consider the paintings
representing the Adoration to the Mother of God by AU the Saints and the Adoration to the
Holy Sacrament. According to Tomkiewicz, they were madę by Tomasz Dolabella in the years
1638-1646, and other paintings ascribed to that painter.
Translated by Jan Kłos
be ascribed to the disciples of Dolabella. The altar painting crowning the gallery was most
probably according to the northern graphie patterns, as a work from the workshop od Dolabella
and his disciples.
Founding the chapel, Oświęcim entrusted its completion to a pleiad of Italian artists. The
painting décor was presumably given to Tomasz Dolabella. The fact that the second wife of
the artist, Jadwiga Łopacka, was a Krosno townswoman was not without significance. An
additionał argument to support that standpoint can be found if we consider the paintings
representing the Adoration to the Mother of God by AU the Saints and the Adoration to the
Holy Sacrament. According to Tomkiewicz, they were madę by Tomasz Dolabella in the years
1638-1646, and other paintings ascribed to that painter.
Translated by Jan Kłos