DOI Heft:
No. 111 (June, 1902)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.19876#0075
Studio- Talk
The number of works of sculpture shown at the the late Jules Dalou—shows plainly the strength
Pennsylvania Academy of the Fine Arts was of his talent, his energy, and at the same time
considerably greater than usual, and they were the flexibility of his modelling. He has sue-
quite up to, if ceeded in catching and " fixing " with great power
not in advance the features of the lamented master of French
of, the standard statuary—one of the greatest after Rodin. M. Peter
of excellence deserves the fullest praise for the simplicity of his
that has. been design. Some medallists there are—and those by
the rule. The no means the least notable—who give one the
mostprominent impression of trying to crowd too many ideas
and successful within the limits of their restricted area. The
contributors moderation of M. Peter will gratify all who prefer
were Mr. Chas. that each branch of art should be kept within its
Grafly, Mr. proper borders. Modern glyptics can but gain by
Alexander Ster- being freed from complicated allegory, and allowed
ling Calder, to march boldly forward in the direction of Truth.
Mr. Herbert --
Adams, Mr. Our other illustrations show some interesting
Herman Mac- work recently completed by M. Alexandre
Neil, and Mr. Charpentier and M. Prouve.
F. G. R. Roth.
All these clever | V UDAPEST.—All lovers of art have been
sculptors were I «^ attracted to the Spring Exhibition of
seen at their B English pictures, arranged with exquisite
best. "*—~ taste by Mr. George Sauter. Prominent
E. C. among these works are exhibits by Neven du
bronze finger-plates
by a. charpentier
PARIS.—M. Victor
Peter occupies a
foremost place in
the brilliant school
of French medallists with
whose..work M. Roger Marx#
has made the readers of The
Studio familiar. The medal
by him now reproduced— an interior1 by miksa bruck
63
The number of works of sculpture shown at the the late Jules Dalou—shows plainly the strength
Pennsylvania Academy of the Fine Arts was of his talent, his energy, and at the same time
considerably greater than usual, and they were the flexibility of his modelling. He has sue-
quite up to, if ceeded in catching and " fixing " with great power
not in advance the features of the lamented master of French
of, the standard statuary—one of the greatest after Rodin. M. Peter
of excellence deserves the fullest praise for the simplicity of his
that has. been design. Some medallists there are—and those by
the rule. The no means the least notable—who give one the
mostprominent impression of trying to crowd too many ideas
and successful within the limits of their restricted area. The
contributors moderation of M. Peter will gratify all who prefer
were Mr. Chas. that each branch of art should be kept within its
Grafly, Mr. proper borders. Modern glyptics can but gain by
Alexander Ster- being freed from complicated allegory, and allowed
ling Calder, to march boldly forward in the direction of Truth.
Mr. Herbert --
Adams, Mr. Our other illustrations show some interesting
Herman Mac- work recently completed by M. Alexandre
Neil, and Mr. Charpentier and M. Prouve.
F. G. R. Roth.
All these clever | V UDAPEST.—All lovers of art have been
sculptors were I «^ attracted to the Spring Exhibition of
seen at their B English pictures, arranged with exquisite
best. "*—~ taste by Mr. George Sauter. Prominent
E. C. among these works are exhibits by Neven du
bronze finger-plates
by a. charpentier
PARIS.—M. Victor
Peter occupies a
foremost place in
the brilliant school
of French medallists with
whose..work M. Roger Marx#
has made the readers of The
Studio familiar. The medal
by him now reproduced— an interior1 by miksa bruck
63