Studio: international art (29.1903)

The National Competition

-—; -and delicate workmanship
^^j^ggjMy*^''<jfc^Tt1>x of Clara Lavington (Leeds)

'' '!' ---- * ^^3^^' ■ ^or a coUar and scarf-end

^^^^^^^^^^F/" * -~- ' cut-work with figures of

design for a painted silk fan the Apostles was designed

by lilian crabb (plymouth technical college) an(j wr0ught by

Minnie Bolton

for architectural (Birmingham)

The work of two neither conspicu-

Newcastle stu- ous for merit nor

dents, Eleanor quantity. Apart

J. Macdonaldand design for a colour print by r. e clarke (Scarborough) from the altar-

Constance Salis-
bury, was similarly
good; and that of Margaret
Alcorn (Wellington, New Zea-
land) was very favourably re-
presented by her stencilled
sofa-cushions in sober clematis
purple, with glints of silver on
dull green. Last, but not
least, of the stencils must be
mentioned the beautiful and
very original little studies by
Margaret Lloyd (Liverpool)
for designs based on historical
costumes, and also her excel-
lent series of fans, which only
revealed their subtle grace
and inventive charm on close
examination.

In designs for lace we wel-

&, _ design for an overmantel

corned again the sympathetic by Gladys m. baly (regent street polytechnic)

272