Studio: international art (29.1903)

Studio-Talk

papers. The best things in the Exhibition are A. Withers, who are our regular guests, and whose
a few designs for sculpture by Adolf Hilde- refined art has had no small influence on that
brand for fountains and monuments ; some busts of Munich,
by Herman Hahn and Georg Wrba; and a -

female figure by Josef Flossmann. Among the A very interesting exhibition is to be seen in
painters of Munich, Ludwig von Zumbuscbmidt the rooms on the ground floor of the royal Cabinet
sends a pleasing portrait of a child; Heinrich 0f Engravings, showing the progress of coloured
Ziigel a carefully-studied little landscape with prints both in Germany and elsewhere. The
dogs; and Hugo von Habermann some fanciful earliest examples in the collection must be the
female figures of wonderful harmony of colour. prints from several plates by the Dutch artist,
Of the not very numerous foreigners, the French Cornelis Ploos, of Amsterdam. Of English work
painter Besnard, the
Spaniard, Zuloaga, the
Swede, Fjaestad, and
the Swiss, Hodler, must
be honourably noticed;
while others worthy of
mention are A. Guy,
Edward Brown, Morison,

F. A. Brown, D. Y.
Cameron, K. Cameron,

G. Clausen, E. Dekkerr,
J. M. Hamilton, G. Henry,
W. Kennedy, J. Lavery,
W. Y. Macgregor, H. Mann,
F. L. Morton, A. Neven-
Dumont, F. H. Newbery,

B. Priestman, J. R. Reid,
J. Reid-Murray, T. Robin-
son, A. Roche, G. Sauter,

C. H. Shannon, Macaulay

Stevenson, G.Thomas, and HEAD OF A CHILD (See Paris Studio-Talk) BY JEAN DAMPT

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