DOI Artikel:
Taylor, J.: A Glasgow artist and designer: The work of E. A. Taylor
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.20710#0238
A Glasgow Designer: E. A. Taylor
assumes the stamp of individuality and completeness, unfamiliar
under the old system.
Every craftsman should be an artist, as every artist should be
a craftsman ; for no one can thoroughly comprehend design without
a fundamental idea of construction.
Take any of the pieces of furniture designed by E. A. Taylor,
examine every line, note each detail, and complete rationalism of
design and correctness of construction will be detected, and if
rational design is a strong point in his schemes, it may be claimed
that colour is a stronger.
Some modern authorities proscribe the use of certain colours,
because of the disturbing effect they are alleged to have on
others: the reply of E. A. Taylor is to show how, by skilful
arrangement of complementaries, almost any colour, particularly
some of those most strongly condemned, can be successfully
used in the decoration of the house.
doorpi.ates
designed by e. a. taylor
The study of the harmony and
relation of colour is sadly neglected
even by professional house-furnishers
and decorators. It is so important, and
exercises such a powerful influence on
many of the relations of life, that one
designed by e. a. taylor marvels it does not form the basis for
fender
designed by e. a. taylor
22 1
assumes the stamp of individuality and completeness, unfamiliar
under the old system.
Every craftsman should be an artist, as every artist should be
a craftsman ; for no one can thoroughly comprehend design without
a fundamental idea of construction.
Take any of the pieces of furniture designed by E. A. Taylor,
examine every line, note each detail, and complete rationalism of
design and correctness of construction will be detected, and if
rational design is a strong point in his schemes, it may be claimed
that colour is a stronger.
Some modern authorities proscribe the use of certain colours,
because of the disturbing effect they are alleged to have on
others: the reply of E. A. Taylor is to show how, by skilful
arrangement of complementaries, almost any colour, particularly
some of those most strongly condemned, can be successfully
used in the decoration of the house.
doorpi.ates
designed by e. a. taylor
The study of the harmony and
relation of colour is sadly neglected
even by professional house-furnishers
and decorators. It is so important, and
exercises such a powerful influence on
many of the relations of life, that one
designed by e. a. taylor marvels it does not form the basis for
fender
designed by e. a. taylor
22 1