Studio- Talk
Mountainous Landscape by
Gainsborough, and some
good canvases by Lawrence
and Morlandwerealsogiven
places in the collection.
Mr. Clausen's pictures
and sketches, shown at
the Goupil Gallery, gave a
decidedly pleasant impres-
sion of his capacities as a
sympathetic and accom-
plished painter. A few
pictures on a fairly import-
ant scale were included, and
of these the most deserving
of attention were the land-
scapes, Mowing the Orchard
necklace in silver, chrysoprase and mother-o'-pearl anc[ Willow Trees at Sunset
" daisy chain," in champleve enamel with malachite . .
by ethf.l kirkpatrick and the cottage interior,
The Sleepy Child. But
the bulk of the collection
Glazebrook's Anthony Hope Hawkins, Esq. and consisted of sketches and studies in oil, water-
Elsie, Daughter of R. A. Fairclough, Esq., Mr. colour, and pastel, with charming technical
George Henry's The Late J. Staats Forbes, Mr. W. qualities and definite distinction of manner.
Strang's Portrait Study of Mr. Chamberlain, Mr. Among these smaller examples were several
J. J. Shannon's Daughter of A. Bailey, Esq., and a flower studies of more than ordinary beauty, and
charming portraitof a child byMr.'S. Melton Fisher. sketches like The Barn Door, The Village
Of excellent quality were also Mr. W. Llewellyn's Street, and the pastel Sunset, which, by their
portrait of himself, the Hon. John Collier's Lady fieshness and spontaneity, merit a place in the
Buckley, and the works of Mr. Harold Speed, Mr. front rank of his achievement.
Richard Jack, and Mr. Neven du
Mont. A series of remarkable drawings
by Frederick Sandys was included, and
there was some notable sculpture by
Mr. John Tweed, Mr. Basil Gotto,
Mr. A. G. Walker, and Mr. F. Derwent
Wood.
Messrs. Agnew's annual exhibition
for the benefit of the Artists' General
Benevolent Institution consisted of
about a score of masterpieces by the
greatest painters of the British school.
Among them were two very fine Rae-
burns, GraceLockhartRossof Balgown
and Sir Alexander Muir Mackenzie,
Gainsborough's Duchess of Gloucester,
Romney's Lady Milnes and Lady
Hamilton as Mirth, a superb full- V? >*fc
length of Lady Elizabeth Compton by
Reynolds, and an unusually grace-
ful portrait by Hoppner of Lady
Caroline Wrottesley. A dignified mural decoration by w. j. neatby
353
Mountainous Landscape by
Gainsborough, and some
good canvases by Lawrence
and Morlandwerealsogiven
places in the collection.
Mr. Clausen's pictures
and sketches, shown at
the Goupil Gallery, gave a
decidedly pleasant impres-
sion of his capacities as a
sympathetic and accom-
plished painter. A few
pictures on a fairly import-
ant scale were included, and
of these the most deserving
of attention were the land-
scapes, Mowing the Orchard
necklace in silver, chrysoprase and mother-o'-pearl anc[ Willow Trees at Sunset
" daisy chain," in champleve enamel with malachite . .
by ethf.l kirkpatrick and the cottage interior,
The Sleepy Child. But
the bulk of the collection
Glazebrook's Anthony Hope Hawkins, Esq. and consisted of sketches and studies in oil, water-
Elsie, Daughter of R. A. Fairclough, Esq., Mr. colour, and pastel, with charming technical
George Henry's The Late J. Staats Forbes, Mr. W. qualities and definite distinction of manner.
Strang's Portrait Study of Mr. Chamberlain, Mr. Among these smaller examples were several
J. J. Shannon's Daughter of A. Bailey, Esq., and a flower studies of more than ordinary beauty, and
charming portraitof a child byMr.'S. Melton Fisher. sketches like The Barn Door, The Village
Of excellent quality were also Mr. W. Llewellyn's Street, and the pastel Sunset, which, by their
portrait of himself, the Hon. John Collier's Lady fieshness and spontaneity, merit a place in the
Buckley, and the works of Mr. Harold Speed, Mr. front rank of his achievement.
Richard Jack, and Mr. Neven du
Mont. A series of remarkable drawings
by Frederick Sandys was included, and
there was some notable sculpture by
Mr. John Tweed, Mr. Basil Gotto,
Mr. A. G. Walker, and Mr. F. Derwent
Wood.
Messrs. Agnew's annual exhibition
for the benefit of the Artists' General
Benevolent Institution consisted of
about a score of masterpieces by the
greatest painters of the British school.
Among them were two very fine Rae-
burns, GraceLockhartRossof Balgown
and Sir Alexander Muir Mackenzie,
Gainsborough's Duchess of Gloucester,
Romney's Lady Milnes and Lady
Hamilton as Mirth, a superb full- V? >*fc
length of Lady Elizabeth Compton by
Reynolds, and an unusually grace-
ful portrait by Hoppner of Lady
Caroline Wrottesley. A dignified mural decoration by w. j. neatby
353