STUDIO-TALK
“meditation”
BY ELSIE CHARD
(Royal Academy)
rooms were provided by the Corporation,
presented much the same features as of
yore. The New English Art Club was
less fortunate and, being unable to obtain
sufficient space for a full exhibition, had
to confine its display on this occasion to
water-colours and works in black and
white, which occupied a well-lighted gal-
lery of fair dimensions at 23A Maddox
Street. Among outstanding items in the
exhibition were two delightfully sensitive
water-colours of Dover by Mr. P. Wilson
Steer, Mr. C. J. Holmes’s Grey Morning,
Craven, Mr. F. Cayley Robinson's Fall of
Sodom, Mr. D. S. MacColl’s Litlington,
Miss Mary McCrossan's Autumn, Petworth
Park, Mr. C. S. Cheston’s Bath, Mr.
Henry Rushbury's Showmen’s Vans and
Easter Sunday, Hampstead, a charming
little flower-piece by Mrs. Rushbury, Mr.
Charles Ginner's Garden in Bloomsbury,
and Mr. Harry Morley's The Quarry. *
77
“meditation”
BY ELSIE CHARD
(Royal Academy)
rooms were provided by the Corporation,
presented much the same features as of
yore. The New English Art Club was
less fortunate and, being unable to obtain
sufficient space for a full exhibition, had
to confine its display on this occasion to
water-colours and works in black and
white, which occupied a well-lighted gal-
lery of fair dimensions at 23A Maddox
Street. Among outstanding items in the
exhibition were two delightfully sensitive
water-colours of Dover by Mr. P. Wilson
Steer, Mr. C. J. Holmes’s Grey Morning,
Craven, Mr. F. Cayley Robinson's Fall of
Sodom, Mr. D. S. MacColl’s Litlington,
Miss Mary McCrossan's Autumn, Petworth
Park, Mr. C. S. Cheston’s Bath, Mr.
Henry Rushbury's Showmen’s Vans and
Easter Sunday, Hampstead, a charming
little flower-piece by Mrs. Rushbury, Mr.
Charles Ginner's Garden in Bloomsbury,
and Mr. Harry Morley's The Quarry. *
77