DOI Heft:
July 12, 1884
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.17757#0021
July 12, 1884.]
PUNCH, OP THE LONDON CHARIVARI.
OUR ROYAL ACADEMY GUY’D.
[last instalment.]
No. 372. Mr. Henry Irving, the open-
handed Manager; the other is in
his pocket ; symbolical of Treasury
Morning at the Lyceum Theatre.
J. E. Millais, JR.A.
No. 240. “Everything must have a
Beginning; or, The First Rude
Attempt at Guitar-playing.” J. H.
S. Partington.
No. 583. “Don’t want Gloves: got
my Stick ; the Artist has taken my
Portrait,but who ’s taken my hat?”
Or could the Painter have slily
intended to suggest a portrait of
“TwoSticks?” A. S. Cope.
No. 725. The Infant Phenomenon.
Scene from the early life of Mine,
Sarah Bernhardt, when it first
occurred to her that she might be
the Lady Macbeth of the future.
J. Mordecai.
No. 1590. “ School for Bathers.” But there ’ll
be an accident, as it’s a large party to fill that
one boat when they all come out. Edwin Ellis.
No. 285. “ Hood’s Owner.” A practical joke
after Common-Room dessert on a Gaudy Day
at College. “I’d give anything to get out of
this chair, but they’ve tied my hood round
the back of it, bother ’em!” Frank Holl,
R.A.
No. 95. The Cheerful Family; or, Hers and Hymn.
Macgregor.
No. 129. “A Surfeit; or, Prospective JaundiceBilus and
Nilus. “ Couldn’t touch one of ’em! ” W. D. Sadler.
No. 559. 11 Fatima, with her party of Ladies, listening for the
sound of Bluebeard’s Footstev on the Stairs.” J. W. Waterhouse.
No. 273. Elderly Gentleman puzzled by his
Washing - book. “She gets up Shirts very
well, but I think she docs charge too much.”
Evidently he is getting up his own choler.
W. W. Ouless, R.A.
No. 693. Suggestion for a scene in a Haymarket Comedy, Consule
Bancroeto. “ Disinherited ; or. Going to (L. J.) Pott.”
No. 810. “ The Two Classes.” Upper Crust and Loafers. See
how an Artist contrives to make his Bread ! ^ Val Prlnsep, A.
No. 1621. “ The Spectre Cotv; or, The Haunted Milk-and-
Water Walk.” Val Davis.
No.395. “The Three Old Maids of Lea.” John Brett, A.
Jessie
No. 144. A Scene at Hawarden- The
Grand Old Woodman axe-plaining his
work. Alice Havers.
No. 136. “Is she often taken like that?” If so,I shouldn’tlet her
be taken like that by any Artist again. The only explanation of
this extraordinary scene in a quiet family seems to be : “ You see
she got first to the hamper—and-” “ Dear! how sad; and
what a very bad example for her younger sisters.” John Collier.
No. 1544. “Big-HandedChild.” This
will be handed down to posterity.
G.E. Hicks.
PUNCH, OP THE LONDON CHARIVARI.
OUR ROYAL ACADEMY GUY’D.
[last instalment.]
No. 372. Mr. Henry Irving, the open-
handed Manager; the other is in
his pocket ; symbolical of Treasury
Morning at the Lyceum Theatre.
J. E. Millais, JR.A.
No. 240. “Everything must have a
Beginning; or, The First Rude
Attempt at Guitar-playing.” J. H.
S. Partington.
No. 583. “Don’t want Gloves: got
my Stick ; the Artist has taken my
Portrait,but who ’s taken my hat?”
Or could the Painter have slily
intended to suggest a portrait of
“TwoSticks?” A. S. Cope.
No. 725. The Infant Phenomenon.
Scene from the early life of Mine,
Sarah Bernhardt, when it first
occurred to her that she might be
the Lady Macbeth of the future.
J. Mordecai.
No. 1590. “ School for Bathers.” But there ’ll
be an accident, as it’s a large party to fill that
one boat when they all come out. Edwin Ellis.
No. 285. “ Hood’s Owner.” A practical joke
after Common-Room dessert on a Gaudy Day
at College. “I’d give anything to get out of
this chair, but they’ve tied my hood round
the back of it, bother ’em!” Frank Holl,
R.A.
No. 95. The Cheerful Family; or, Hers and Hymn.
Macgregor.
No. 129. “A Surfeit; or, Prospective JaundiceBilus and
Nilus. “ Couldn’t touch one of ’em! ” W. D. Sadler.
No. 559. 11 Fatima, with her party of Ladies, listening for the
sound of Bluebeard’s Footstev on the Stairs.” J. W. Waterhouse.
No. 273. Elderly Gentleman puzzled by his
Washing - book. “She gets up Shirts very
well, but I think she docs charge too much.”
Evidently he is getting up his own choler.
W. W. Ouless, R.A.
No. 693. Suggestion for a scene in a Haymarket Comedy, Consule
Bancroeto. “ Disinherited ; or. Going to (L. J.) Pott.”
No. 810. “ The Two Classes.” Upper Crust and Loafers. See
how an Artist contrives to make his Bread ! ^ Val Prlnsep, A.
No. 1621. “ The Spectre Cotv; or, The Haunted Milk-and-
Water Walk.” Val Davis.
No.395. “The Three Old Maids of Lea.” John Brett, A.
Jessie
No. 144. A Scene at Hawarden- The
Grand Old Woodman axe-plaining his
work. Alice Havers.
No. 136. “Is she often taken like that?” If so,I shouldn’tlet her
be taken like that by any Artist again. The only explanation of
this extraordinary scene in a quiet family seems to be : “ You see
she got first to the hamper—and-” “ Dear! how sad; and
what a very bad example for her younger sisters.” John Collier.
No. 1544. “Big-HandedChild.” This
will be handed down to posterity.
G.E. Hicks.