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Studio: international art — 33.1905

DOI issue:
Studio-talk
DOI Page / Citation link:
https://doi.org/10.11588/diglit.20710#0099

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Studio- Talk

Brangwyn, A.R.A., a dark-toned London Bridge,
touched with something of the sombre spirit
that marks Mr. Muhrmann's work which is
also represented, while two examples of M.
Le Sidaner's glimmering landscape, one of them
fuller and more coherent in technique than
is usual with him, and a fine water-colour by
M. Bloomers represent two phases of continental
practice; but apart from these and pictures by Mr.
J. C. Noble and Mr. Robert Macgregor, the
interest of the exhibition lies in the work of

hair ornament by j. m. doran

time with work produced under conditions and in hair ornaments in by Joseph m. doran

times so different. The object-lesson of the enamel and silver
eighteenth-century furniture should be of especial

value as a corrective to a tendency on the part of members of the Society. Mr. Campbell Mitchell

modern designers to ignore the laws of proportion the chairman, whose election as A.R.S.A. was re-

and construction. T. M. W. ferred to here a few months ago, shows a low-

EDINBURGH.—
While this year's
exhibition of the
Society of Scot-
tish Artists lacks the dis-
tinction previous shows
have occasionally attained
through the presence of
noble or notable loan works
in sculpture or painting, it
has its own features of
interest. Mr, McTaggart,
one of the honorary vice-
presidents, has sent a de
lightfully fresh and spon-
taneous picture of children
romping in a lily-gemmed
garden, and Mr. Frank pottery ware by howson taylor

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