Studio: international art (34.1905)

Studio-Talk

intention and accomplish-
ment. Among the figure
subjects there are such
delightful drawings as Mr.
J. R. VVeguelin's The Magic
of Pan's Flute, one of his
daintiest fancies, treated
with rare refinement of
sentiment and delicacy
of colour; Mr. J. Walter
West's pretty study of a
girl writing a letter,
A Weighty Consideration;
Mr. R. Anning Bell's com-
positions, opulent in forms
and sumptuous in colour,
The Painted Chamber,
Secrets, and The Daisy "on the splugen " by a. Wallace rimington

Chain; Mr. Arthur Rack-
ham's amazing fantasies, Pleasure Seekers, The Wainwright's strongly-realised Impromptu and The
Princess's Mirror, and In Elf-land; Mr. W. J. Covenanter's Sermon; Mr. H. E. Crocket's Theodore

and Honoria; Mr. H. S.

..............._________........_ Tuke's clever but rather

matter-of-fact Cuptd and
Sea Nymphs; and Professor
| von Herkomer's powerful
HH| character study, The Fisher-
man of Hintersee. The
number of thoroughly
acceptable landscapes is
even larger. The best in

| JulC- a long list are Sir E. A.

sHHB;: . Waterlow's subtly atmo-

fe spheric Dorsetshire Common
* JVHk and Chalk Pit on the

Sussex Downs; Mr. J. S.

M^^^H. Sargent's brilliant sketches,

The Bed of a Torrent and
Palazzo Grimani; Mr.

Aijfjft' Robert Little's broad and

decorative Gateshill; Mr
D. Y. Cameron's impres-
sive Waning Light, low-
toned and suggestive; Mr.
James Paterson's powerful
Nameless Hills ; and other
contributions by such ac-
complished artists as Sir
Francis Powell, Mr. C. B.
Phillip, Mr. Reginald Bar-
ratt, Mr. Albert Goodwin,
Mr. W. Callow, and Mr.

flHHBHHIIHHHI

landscape by macaulay stevenson Swan, too, sends one of his

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