Studio-Talk
HgBBSil treacherous-in- peace—terrible
POI5ED-flBO\JT-IN-CL0UDY-THMNDCR=TENT5- S3 iaaEMMMlB IN-storm-THE" UNFflTflOMABLWCfl
TO-WATW -THE-flBY5n=BIRTH- OF -ELEM ENTS
book illustrations : pen-and-ink drawing, by a. w. dodd
two of a series of "the four elements"
students' work. The same may be said of the entitled Hansel and Greihel, is also a satisfactory
refined etchings of animals by Miss Kershaw. arrangement for four colours. Her three decorative
- panels for a nursery overmantel are also character-
Jessie Malcolm's stencilled frieze epitomises a istically humorous and refined in colour.
familiar local scene of coasters and attendant tugs -
dropping down on the Mersey tide. A poster in three colours called Twelfth Night,
- by Mary Singlehurst, is a spirited drawing of
A totally different conception for a stencilled Malvolio, but the lettering has scarcely weight
frieze is the design by Arthur B. Waller, of enough to sympathise with the rest of the design.
spiritedly drawn galleons in a rolling sea, with -
dolphins and flights of birds, all, perhaps, too busy Autumn, a decorative panel by the late Miss
in detail, when the necessary repetition is con- Nina Morrison, charms us both by its form and its
sidered, but the colours are
well thought out. His
stencilled hangings and ^^^^^^mi^^^wmm^mFm*^*,^^^mg'^^^B^BBI^^m~7Z^13
the stencilled hangings of
William J. Thomas are in-
genious designs, somewhat
over-elaborated.
A poster for a " Ballad
Concert" by Winifred
Blackburne is a clever com-
position in four colours, £l. ^^^BffiS^«SS2feffl^^BPs
combining grace and subtle WHBtT ^SP ^8jS^^8^MlP^
humour, as in her work
illustrated on page 326 of
September number of The
Studio. Another poster
by the same designer, two-plate stencilled frieze by a. b. waller
35°
HgBBSil treacherous-in- peace—terrible
POI5ED-flBO\JT-IN-CL0UDY-THMNDCR=TENT5- S3 iaaEMMMlB IN-storm-THE" UNFflTflOMABLWCfl
TO-WATW -THE-flBY5n=BIRTH- OF -ELEM ENTS
book illustrations : pen-and-ink drawing, by a. w. dodd
two of a series of "the four elements"
students' work. The same may be said of the entitled Hansel and Greihel, is also a satisfactory
refined etchings of animals by Miss Kershaw. arrangement for four colours. Her three decorative
- panels for a nursery overmantel are also character-
Jessie Malcolm's stencilled frieze epitomises a istically humorous and refined in colour.
familiar local scene of coasters and attendant tugs -
dropping down on the Mersey tide. A poster in three colours called Twelfth Night,
- by Mary Singlehurst, is a spirited drawing of
A totally different conception for a stencilled Malvolio, but the lettering has scarcely weight
frieze is the design by Arthur B. Waller, of enough to sympathise with the rest of the design.
spiritedly drawn galleons in a rolling sea, with -
dolphins and flights of birds, all, perhaps, too busy Autumn, a decorative panel by the late Miss
in detail, when the necessary repetition is con- Nina Morrison, charms us both by its form and its
sidered, but the colours are
well thought out. His
stencilled hangings and ^^^^^^mi^^^wmm^mFm*^*,^^^mg'^^^B^BBI^^m~7Z^13
the stencilled hangings of
William J. Thomas are in-
genious designs, somewhat
over-elaborated.
A poster for a " Ballad
Concert" by Winifred
Blackburne is a clever com-
position in four colours, £l. ^^^BffiS^«SS2feffl^^BPs
combining grace and subtle WHBtT ^SP ^8jS^^8^MlP^
humour, as in her work
illustrated on page 326 of
September number of The
Studio. Another poster
by the same designer, two-plate stencilled frieze by a. b. waller
35°