Studio: international art (35.1905)

Studio- Talk

commissioned as a memorial of the late Dr.
Henry Latham, Master of Trinity Hall. The
motif of the decoration consists of two themes:
firstly, the heraldic, consisting of the shields of the
University of Cambridge, Trinity Hall, and Latham,
with their badges, etc. ; secondly, that of the rose,
which is specially associated with Cambridge. The
cup is thoroughly in keeping with the famous
Cambridge plate, not by repetition, but by carrying
on the tradition of purely English design of the
best mediaeval period, and at the same time modern
and original in its treatment. The decorative
motif of the rose, which grows from the vase, and
finally blossoms into flower, with many stalks,

“ FANCIULLEZZA ” BY COURTENAY POLLOCK

PRESENTATION CUP DESIGNED BY O. RAUSDEN AND a. C. E. CARR

340

represents the blossoming of Cam-
bridge scholarship, by symbolising
the many individual efforts for one
great end.

The work of Mr. Yoshio Markino,
the Japanese artist who has for a con-
siderable time past made London his
home, is already known to readers of
The Studio, who will be interested
in the reproduction we give of his
drawing of The Clock Tower, West-
minster.

PARIS.—M. Jean Duval, whose
picture of The Ramparts of
St. Malo, reproduced on
page 344, was recently ex-
hibited at the Societe Nationale des
Beaux Arts in Paris, is quite a young
man. Last year his Vue du Beguinage
de Bruges attracted considerable atten-
tion. Notwithstanding his youth, he