DOI Heft:
Nr. 150 (September 1905)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.20712#0361
Studio- Talk
has already established a
name for himself, by
reason of the vigour of his
draughtsmanship and by
the pains he takes to re-
constitute the “soul ” of
things. There is in his
work much promise for the
future.
Thanks to the energy dis-
played where the interests of
the fine arts are concerned
by M. Benedite, the able
director of the Luxem-
bourg Gallery, Paris in her
turn has been able to
hold a Whistler Exhibition.
That exhibition is taking
place in the Ecole des Beaux Arts, which has
always been hostile to the great painter, but in
which he now appears as a conqueror. The
delight will readily be understood with which
Whistler’s old friends, such as Theodore Durel,
BOOKBINDING
(See London Studio-Talk) by TALWIN morris
Rodin, Bernard, and Frantz Jourdain, have aided
in making the show a triumphant success, not only
so far as the cultured and art world of Paris is
concerned, but also with the young students, who
now find next door to the very class rooms where
the most baneful doctrines are propagated, a
noble and prolific inspiration. The greater
number of the works recently shown in London,
with the addition of several oil-paintings, dry-
point etchings and water-colour drawings belong-
ing to certain private owners in Paris, and the
admirable portrait of his mother from the Luxem-
bourg, are now to be seen at the Ecole des Beaux
Arts. All these works have already been so ex-
haustively discussed in The Studio, that I will
not now dwell upon them again, but content my-
self with an expression of intense satisfaction
at the success of the great master whose merits
were recognised by this magazine from its
debut.
BUST OF JOHN HASSALI, BY COURTENAY POLLOCK
(See Lo7idon Studio- Talk)
Amongst many fine French ceramic exhibits
in the Salon de la Societe Nationale, special
notice must be given to those sent by M.
Dammouse, that are competed for by the chief
museums and by private collectors. In the
cases reserved to him are some vases in what
is known as grh flamm'e, which are perfect alike
in form and in decoration. As for the enamels
of this master of ceramics, he alone seems to
have the secret of their production. One and
all they are true works of art, and the technique
of their producer seems to become more perfect
every year.
343
has already established a
name for himself, by
reason of the vigour of his
draughtsmanship and by
the pains he takes to re-
constitute the “soul ” of
things. There is in his
work much promise for the
future.
Thanks to the energy dis-
played where the interests of
the fine arts are concerned
by M. Benedite, the able
director of the Luxem-
bourg Gallery, Paris in her
turn has been able to
hold a Whistler Exhibition.
That exhibition is taking
place in the Ecole des Beaux Arts, which has
always been hostile to the great painter, but in
which he now appears as a conqueror. The
delight will readily be understood with which
Whistler’s old friends, such as Theodore Durel,
BOOKBINDING
(See London Studio-Talk) by TALWIN morris
Rodin, Bernard, and Frantz Jourdain, have aided
in making the show a triumphant success, not only
so far as the cultured and art world of Paris is
concerned, but also with the young students, who
now find next door to the very class rooms where
the most baneful doctrines are propagated, a
noble and prolific inspiration. The greater
number of the works recently shown in London,
with the addition of several oil-paintings, dry-
point etchings and water-colour drawings belong-
ing to certain private owners in Paris, and the
admirable portrait of his mother from the Luxem-
bourg, are now to be seen at the Ecole des Beaux
Arts. All these works have already been so ex-
haustively discussed in The Studio, that I will
not now dwell upon them again, but content my-
self with an expression of intense satisfaction
at the success of the great master whose merits
were recognised by this magazine from its
debut.
BUST OF JOHN HASSALI, BY COURTENAY POLLOCK
(See Lo7idon Studio- Talk)
Amongst many fine French ceramic exhibits
in the Salon de la Societe Nationale, special
notice must be given to those sent by M.
Dammouse, that are competed for by the chief
museums and by private collectors. In the
cases reserved to him are some vases in what
is known as grh flamm'e, which are perfect alike
in form and in decoration. As for the enamels
of this master of ceramics, he alone seems to
have the secret of their production. One and
all they are true works of art, and the technique
of their producer seems to become more perfect
every year.
343