Studio-Talk
INTERIOR, HAGENBUND SPRING EXHIBITION
ARRANGED BY JOSEF URBAN
hair and olive complexion, relieved by the
diaphanous muslin fichu which seems to be gently
moved by the atmosphere; while behind are the
vivid greens of the meadow with its richly coloured
flowers and background of trees. It is a picture to
be remembered. The same artist has a charming
picture in oils of two fair little girls dressed in rose-
pink frocks sitting on a small sofa. Each of this
artist’s works has some claim to originality.
last touches to her extremely modern and elegant
toilet. The attitude is very striking, the pose of the
head characteristic. An even more striking picture
is Auf den Digue in Ostend. A group of figures,
all French, stand bathed in yellow light on the
pier of this favourite watering place; father,
mother, son and daughter, this last leading two
shorn black poodles by silken reins; all are clad in
the latest mode, all have that wearied expression
Walter Hampel has also
tried something new in his
Annunciation and Vision,
both in tempera. These
pictures seem bathed in a
mist of holy light from
which the figures appear
to arise. This artist also
exhibited other examples
of his art, all showing that
peculiarity of treatment and
effect which we have learnt
to know and to appreciate
in his works.
Raimund Germela sent
several pictures. Vor
dem Spiegel represents a
Viennese lady surveying
herself after having put the “ unter den lauben” by emil orlik
INTERIOR, HAGENBUND SPRING EXHIBITION
ARRANGED BY JOSEF URBAN
hair and olive complexion, relieved by the
diaphanous muslin fichu which seems to be gently
moved by the atmosphere; while behind are the
vivid greens of the meadow with its richly coloured
flowers and background of trees. It is a picture to
be remembered. The same artist has a charming
picture in oils of two fair little girls dressed in rose-
pink frocks sitting on a small sofa. Each of this
artist’s works has some claim to originality.
last touches to her extremely modern and elegant
toilet. The attitude is very striking, the pose of the
head characteristic. An even more striking picture
is Auf den Digue in Ostend. A group of figures,
all French, stand bathed in yellow light on the
pier of this favourite watering place; father,
mother, son and daughter, this last leading two
shorn black poodles by silken reins; all are clad in
the latest mode, all have that wearied expression
Walter Hampel has also
tried something new in his
Annunciation and Vision,
both in tempera. These
pictures seem bathed in a
mist of holy light from
which the figures appear
to arise. This artist also
exhibited other examples
of his art, all showing that
peculiarity of treatment and
effect which we have learnt
to know and to appreciate
in his works.
Raimund Germela sent
several pictures. Vor
dem Spiegel represents a
Viennese lady surveying
herself after having put the “ unter den lauben” by emil orlik