DOI issue:
Nr. 150 (September 1905)
DOI article:Studio-talk
DOI Page / Citation link: https://doi.org/10.11588/diglit.20712#0370
Studio- Talk
characteristic of those who spend their time
aimlessly in doing nothing. This picture has been
bought for the Modern Gallery. The same artist
also exhibited some pictures of Bruges, which show
that he can paint architecture as well as figures.
The Beguinage is a striking example of this, and is
an admirable bit of architectural painting.
Rudolf Konopa has returned to Vienna after a pro-
longed stay in Paris, bringing with him a series of
oil paintings and gouaches, representing scenes from
that capital. These occupied a room to them-
selves. There is much gaiety, light, atmosphere and
Stimmung in these pictures, which call up pleasant
recollections of happy days.
Karl Fahringer exhibited some studies of animals,
for which he is deservedly popular, as also the illus-
trations to Hauff's Marchen which have been pub-
lished by Martin Gerlach & Co. Otto Tauschek
sent several Ex Libris which strike an original note ;
Wilhelm Victor Krausz some very fine etchings,
Hugo Baar several pastels and oil-chalks, one, Son-
niger Schnee, being a fine study in blues caused by the
reflex of the burning sun on the white moorlands of
snow. Gustav Bamberger, inhisAn der Donau, shows
a lovely sweep of the great Danube, which is painted
with verve and vigour. Julius Pascin exhibited a
number of coloured drawings, being a series of
comic scenes and figures characteristic of Viennese
life, in which the artist is evidently in his element.
Rudolf Kriser in Auf der Irrenburg has given us
another fantastic picture, one of the figures
recalling the Kranke Fiirstin which this young,
artist exhibited at the Winter Hagenbund Exhibi-
tion. The people in the Castle of Madmen are
too scattered, there are too many unconnected
details, yet the whole effect is good from a
colouristic point of view. This artist is very young,
and we shall watch his development with some
curiosity.
Max Ivahrer (Klosterneuburg) in his Masks
gives us a charming bit of village life. Two
children linger before the village shop, the door
of which stands invitingly open, for it is car-
nival, and the masks which fill the window are
very tempting. There were many other works
worthy of mention. One by Adolf Luntz (Karls-
ruhe), Plum tree in Blossom, is a lovely bit of
characteristic of those who spend their time
aimlessly in doing nothing. This picture has been
bought for the Modern Gallery. The same artist
also exhibited some pictures of Bruges, which show
that he can paint architecture as well as figures.
The Beguinage is a striking example of this, and is
an admirable bit of architectural painting.
Rudolf Konopa has returned to Vienna after a pro-
longed stay in Paris, bringing with him a series of
oil paintings and gouaches, representing scenes from
that capital. These occupied a room to them-
selves. There is much gaiety, light, atmosphere and
Stimmung in these pictures, which call up pleasant
recollections of happy days.
Karl Fahringer exhibited some studies of animals,
for which he is deservedly popular, as also the illus-
trations to Hauff's Marchen which have been pub-
lished by Martin Gerlach & Co. Otto Tauschek
sent several Ex Libris which strike an original note ;
Wilhelm Victor Krausz some very fine etchings,
Hugo Baar several pastels and oil-chalks, one, Son-
niger Schnee, being a fine study in blues caused by the
reflex of the burning sun on the white moorlands of
snow. Gustav Bamberger, inhisAn der Donau, shows
a lovely sweep of the great Danube, which is painted
with verve and vigour. Julius Pascin exhibited a
number of coloured drawings, being a series of
comic scenes and figures characteristic of Viennese
life, in which the artist is evidently in his element.
Rudolf Kriser in Auf der Irrenburg has given us
another fantastic picture, one of the figures
recalling the Kranke Fiirstin which this young,
artist exhibited at the Winter Hagenbund Exhibi-
tion. The people in the Castle of Madmen are
too scattered, there are too many unconnected
details, yet the whole effect is good from a
colouristic point of view. This artist is very young,
and we shall watch his development with some
curiosity.
Max Ivahrer (Klosterneuburg) in his Masks
gives us a charming bit of village life. Two
children linger before the village shop, the door
of which stands invitingly open, for it is car-
nival, and the masks which fill the window are
very tempting. There were many other works
worthy of mention. One by Adolf Luntz (Karls-
ruhe), Plum tree in Blossom, is a lovely bit of