DOI issue:
Nr. 208 (July 1910)
DOI article:Studio-talk
DOI Page / Citation link:https://doi.org/10.11588/diglit.20970#0175
Studio-Talk
the St. George’s Gallery ; the water-colours of Lady
Ford and Miss Mawe, the sea pictures of Mr. H.
Branston Freer, and the paintings of Venice by
E. Philip Cornish at the Dore Galleries; and
pictures by Evelyn Fothergill Robinson and Evelyn
Perceval-Clark, Maria Bodtker, and the Hon.
Robert H. Scott at the Baillie Galleries.
BERLIN.—The sculptor A. Lewin-Funcke
is one of our modest artists whose new
works always widen his circle of ad-
mirers. He has lately been engaged on a
monumental figure, Sehnsucht (The Longing), for a
the Great Berlin Summer Exhibition. His groups
and single figures have accustomed the public to
an artist who always creates a harmonious impres-
sion, whether he strives for mere grace, for the
emotional, for character, or the humorous. His
tender lines are well suited to the marble material,
but he can be also sharp and pointed for bronze
and wood. Lewin-Funcke was a pupil of the
Berlin Royal Academy and owes much to Paris
and Rome. The Berlin National Gallery bought
his At the Source, in 1905, and the New York
Metropolitan Museum has quite lately acquired his
Mother. J. J.
PARIS.—For some years now we in Paris
have become accustomed to look for-
ward with pleasurable anticipation to
the annual exhibition of the Bagatelle,
and indeed there could be nothing more charming
than this wonderful setting, than these exquisite
pavilions, placed, as it were, like jewels in the
beautiful and tastefully laid-out grounds. In addi-
tion, the programme arranged by the Committee
was an exceedingly attractive one; the Society
offered to the public this year a fine exhibition of
portraits of children by old and modern masters.
The general level of the works shown was higher
the St. George’s Gallery ; the water-colours of Lady
Ford and Miss Mawe, the sea pictures of Mr. H.
Branston Freer, and the paintings of Venice by
E. Philip Cornish at the Dore Galleries; and
pictures by Evelyn Fothergill Robinson and Evelyn
Perceval-Clark, Maria Bodtker, and the Hon.
Robert H. Scott at the Baillie Galleries.
BERLIN.—The sculptor A. Lewin-Funcke
is one of our modest artists whose new
works always widen his circle of ad-
mirers. He has lately been engaged on a
monumental figure, Sehnsucht (The Longing), for a
the Great Berlin Summer Exhibition. His groups
and single figures have accustomed the public to
an artist who always creates a harmonious impres-
sion, whether he strives for mere grace, for the
emotional, for character, or the humorous. His
tender lines are well suited to the marble material,
but he can be also sharp and pointed for bronze
and wood. Lewin-Funcke was a pupil of the
Berlin Royal Academy and owes much to Paris
and Rome. The Berlin National Gallery bought
his At the Source, in 1905, and the New York
Metropolitan Museum has quite lately acquired his
Mother. J. J.
PARIS.—For some years now we in Paris
have become accustomed to look for-
ward with pleasurable anticipation to
the annual exhibition of the Bagatelle,
and indeed there could be nothing more charming
than this wonderful setting, than these exquisite
pavilions, placed, as it were, like jewels in the
beautiful and tastefully laid-out grounds. In addi-
tion, the programme arranged by the Committee
was an exceedingly attractive one; the Society
offered to the public this year a fine exhibition of
portraits of children by old and modern masters.
The general level of the works shown was higher