DOI issue:
Nr. 209 (August 1910)
DOI article:Studio-talk
DOI Page / Citation link:https://doi.org/10.11588/diglit.20970#0262
Studio-Talk
(Grosse Berliner Kunst-Ausstellung)
lamented Skarbina. Professor Kallmorgen, the
president of this year’s jury, and one to whom many
of our most promising youths owe their training,
has set a fine example of sound brushwork in
his Hamburg harbour-piece, The Dinner Hour,
which is equally genuine in the rendition of stormy
river scenery as in that of the crowds of boatmen.
The young artist, Franz Eichhorst, claims par-
ticular comment for his Holiday on the Common,
which reveals quite un-
usual decorative and
colouristic qualities. He
proves himself a perspica-
cious observer of the
Berliner “ cockney ” type,
and at the same time
shows an unusual gift ot
spiritualising by grouping
and illumination. Pfuhle
is prominent in sensitive
and almost stern draughts-
manship ; Herbert Arnold,
an entertaining illustrator
and subtle colourist; and
Curt Messerschmidt,
Tilke, Bremer, and
Schlichting all deserve
particular attention.
Ladies who know how to
evolve peculiar psychic
attractions from female
models are Marie von
Eickhof-Reitzenstein, Hughitt Haliday and Adele
von Finck. Benedicta Csesar, a pupil of Herkomer,
has accomplished a lady’s portrait which combines
charm with decided facture.
Berlin also possesses a few painters with the
imaginative gift. Raffael Schuster-Woldan, who is
just now concentrating his energies on the mural
paintings for the parliament building, has only
“THE CARRIER
238
(Grosse Berliner Kunst-Ausstellung) by P. F. messerschmitt
(Grosse Berliner Kunst-Ausstellung)
lamented Skarbina. Professor Kallmorgen, the
president of this year’s jury, and one to whom many
of our most promising youths owe their training,
has set a fine example of sound brushwork in
his Hamburg harbour-piece, The Dinner Hour,
which is equally genuine in the rendition of stormy
river scenery as in that of the crowds of boatmen.
The young artist, Franz Eichhorst, claims par-
ticular comment for his Holiday on the Common,
which reveals quite un-
usual decorative and
colouristic qualities. He
proves himself a perspica-
cious observer of the
Berliner “ cockney ” type,
and at the same time
shows an unusual gift ot
spiritualising by grouping
and illumination. Pfuhle
is prominent in sensitive
and almost stern draughts-
manship ; Herbert Arnold,
an entertaining illustrator
and subtle colourist; and
Curt Messerschmidt,
Tilke, Bremer, and
Schlichting all deserve
particular attention.
Ladies who know how to
evolve peculiar psychic
attractions from female
models are Marie von
Eickhof-Reitzenstein, Hughitt Haliday and Adele
von Finck. Benedicta Csesar, a pupil of Herkomer,
has accomplished a lady’s portrait which combines
charm with decided facture.
Berlin also possesses a few painters with the
imaginative gift. Raffael Schuster-Woldan, who is
just now concentrating his energies on the mural
paintings for the parliament building, has only
“THE CARRIER
238
(Grosse Berliner Kunst-Ausstellung) by P. F. messerschmitt