Studio-Talk
‘'HOMEWARD BOUND-’
(By permission of Mr. Jac. de Vries, Arnhem) by h. A. van ingen
last exhibition showed distinctly, Radimsky is the
painter of water. The waters which he paints are
really animated, agitated, luminous and trans-
parent, and the reflection of limpid skies, of grass-
grown embankments, of tree-tops and clouds is
perfectly attained. Radimsky is thoroughly objec-
tive in rendering his subjects—as much objective,
at least, as any artist can be. His paintings are to
be found in the public collections of Prague, Vienna,
and Munich. He has exhibited successfully in
Vienna, Hamburg, Berlin, and above all at the
Paris Salon, where he has been more than once
medaille H. Sen.
ARNHEM.—Mr. H. A. Van Ingen, the
painter of the two pictures reproduced
on p. 247 and above, is beginning to be
well known in the Netherlands, and for
some time past his works have formed a special
attraction at one or other of the numerous art
exhibitions in this country of artistic traditions.
Mr. Jac. de Vries recently showed a collection
of this artist’s pictures and drawings at his galleries
in this town, and it is by permission of Mr. de
Vries that we are enabled to reproduce the two
examples referred to. Mr. Van Ingen may
perhaps be said to belong to the school of which
Mauve was such a superior exponent; but he has
an individuality all his own. All his pictures are
characterised by a charming restfulness; and their
dreamy atmosphere, their quiet, calm peacefulness
248
never fail to make their influence felt. Sometimes
he is a most powerful colourist, without losing
any of the sober, serious tone of which Mauve
ILLUSTRATION TO “THE MILL ON THE FLOSS”
BY E. BRIDDEN GRANGER
(St. John s Wood Art Schools)
‘'HOMEWARD BOUND-’
(By permission of Mr. Jac. de Vries, Arnhem) by h. A. van ingen
last exhibition showed distinctly, Radimsky is the
painter of water. The waters which he paints are
really animated, agitated, luminous and trans-
parent, and the reflection of limpid skies, of grass-
grown embankments, of tree-tops and clouds is
perfectly attained. Radimsky is thoroughly objec-
tive in rendering his subjects—as much objective,
at least, as any artist can be. His paintings are to
be found in the public collections of Prague, Vienna,
and Munich. He has exhibited successfully in
Vienna, Hamburg, Berlin, and above all at the
Paris Salon, where he has been more than once
medaille H. Sen.
ARNHEM.—Mr. H. A. Van Ingen, the
painter of the two pictures reproduced
on p. 247 and above, is beginning to be
well known in the Netherlands, and for
some time past his works have formed a special
attraction at one or other of the numerous art
exhibitions in this country of artistic traditions.
Mr. Jac. de Vries recently showed a collection
of this artist’s pictures and drawings at his galleries
in this town, and it is by permission of Mr. de
Vries that we are enabled to reproduce the two
examples referred to. Mr. Van Ingen may
perhaps be said to belong to the school of which
Mauve was such a superior exponent; but he has
an individuality all his own. All his pictures are
characterised by a charming restfulness; and their
dreamy atmosphere, their quiet, calm peacefulness
248
never fail to make their influence felt. Sometimes
he is a most powerful colourist, without losing
any of the sober, serious tone of which Mauve
ILLUSTRATION TO “THE MILL ON THE FLOSS”
BY E. BRIDDEN GRANGER
(St. John s Wood Art Schools)