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Studio: international art — 85.1923

DOI issue:
No. 359 (February 1923)
DOI article:
Studio-talk
DOI Page / Citation link:
https://doi.org/10.11588/diglit.21397#0136

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STUDIO-TALK

"FROM the grave of rafen-
ESQUE.” BY M. W. ZIMMERMAN

(Pennsylvania Academy Water-
colour Exhibition)

reproduction is an example.v A pupil of
the well-known Czech artist, Svabinsky, at
the Prague Academy, he is now pro-
fessor of drawing in the Royal School of
Art in this town and works in many
mediums, but he is pre-eminently a black
and white artist, delighting in rich con-
trasts of light and dark. His work is
on the large scale one is accustomed to
find in poster lithographs. He has also
a reputation as a wood engraver, and is one
among a very few who have essayed
etching. M. Kirin, who like M. Gjuric is
quite a young man, is also steadily making
a name for himself in lithography. He
has studied in England and France, and
116

among his prints are some impressions
of London and Paris, which have made
their appearance in a periodical published
here called “ Savremenik ” (The Con-
temporary). 0 a 0 a 0

Philadelphia.—in the Twentieth

Annual Exhibition of Water-Colours
held at the Pennsylvania Academy from
November 5th to December 10th, the
grouping of works by individual painters,
etchers, and illustrators added much to the
pleasure of a walk through the galleries,
and the separation of the works in black
and white from those in colour was a
credit to the intelligence of the hanging
 
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