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Studio: international art — 85.1923

DOI issue:
No. 360 (March 1923)
DOI article:
Studio-talk
DOI Page / Citation link: 
https://doi.org/10.11588/diglit.21397#0198

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STUDIO-TALK

Mr. Ben All Haggin's portrait of the
Oriental dancer, Nuhr El-Huda, gave dis-
tinction to the surroundings. Other por-
traits of note were Mr. Rittenberg's por-
trait of his wife, two by Mr. Ernest L.
Ipsen, Mr. Howard Butler's portrait of the
veteran painter Thomas Moran, and Mrs.
Isabelle Cartwright's of Mr. Henry Snell,
who with Mr. Moran was represented else-
where in the exhibition. a a 0
Notably fine canvases were Mother and
Child, by Mr, Sidney E. Dickinson ; The
Dancer, by Mr. Maurice Molarsky; Nymphs
Surprised, beautifully coloured nudes, by
Mr. Francis C. Jones ; Marguerite, by
Mr. Carl J. Nordell ; Portrait of Betty
178

“ THE SUN ROOM.” OIL PAINT-
ING BY CHILDE HASSAM

(Nat. Acad, of Design, New York
AltmanjPrize)

Gallowhur, by Mr. C. C. Curran ; Samovar
Tea, by Mr. Ivan G. Olinsky ; Hopi Flute
Dance, by Mr. E. Irving Couse ; A Seated
Nude, by Mr. Frederick C. Frieseke ; and
Beth and Joan, by Mr. John F. Folinsbee.

Effective works in landscape were Re-
flected Light, by Mr. Victor Higgins ; The
New Bridge, by Mr. Colin Campbell
Cooper; The Tower, by Mr. Robert
Spencer ; Mammoth Cove, by Mr , William
Ritschel; Moonlight—Venice, by Mr. Paul
Cornoyer ; Overlooking Dover Plains, in-
cluding good painting of animals, by Mr.
G. Glenn Newell; and The Reef, by Mr.
Frederick Waugh. a a a a

A number of bronzes were installed
 
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