xii
ARCHITECTURAL ANTIQUITIES.
Wotton, 1624; attributes the invention
of Pointed Architecture to the Goths, or
Lombards, 34. 35.
6. Chronologia Architectonica, MS. about 1656,
by John Aubrey, published in 1762; first
attempt at an arrangement of Styles, Dates,
&c. of Ecclesiastical Architecture, 34.
7. Account of Architects, by John Evelyn,
1697; calls the Pointed Style, Gothic, from
the Goths, 26. 35.
8. Parentalia (1750), by Sir Christopher
Wren, who died in 1723; supposes the
Saracens invented the Pointed Style, which
he calls Saracenic, 26. 43.
9. Essay in Archceologia, vol. i. and Itinerarium
Curiosum, 1724, 1726, by Dr. W. Stuke-
ley, 1755; says the Pointed Architecture
was brought originally from Arabia; and
the Style should be called the Arabian
Manner:—that this Arabian Architecture
and slender Pillars are taken from the groves
sacred to religion, " those verdant cathedrals
of antiquity;"—says Pointed Arches, &c.
came from France to England, 48.
10. Letter to Dr. Wharton, by Thomas Gray,
who died in 1771 ; opposes the opinion that
the Pointed Style came from the East, 61.
11. Observations on Southwell Church, MS. by
James Essex, who died in 1784; states the
Gothic Architects were led to the use of the
Pointed Arch by " the practice of vaulting
upon bows, and sometimes covering with
such vaults irregular spaces," 63. 65.
12. Sotes to Pope's Moral Essays, by Bishop
Warburton, 1760. The Goths, " by the
assistance of Saracen Architects, struck out
a new species of Architecture, which can
alone be truly called the Gothic Style,"—
originated from arcades formed by the branches
of trees, 49.
13. Ornaments of Churches considered, by Dr.
Thomas Wilson, 1761; ascribes the origin
of Pointed Architecture to the Age of Theo-
doric, K. of the Ostrogoths, 36.
14. Observations on Spenser's Fairy Queen, by
Thomas Warton, 1763; first public writer
that published a Chronological Arrangement
of Pointed Architecture, which he calls Go-
thic, and dates its commencement about
1200, 27, &c.
15. Letter to Burke, by James Barry, 1768,
published in his Works, 2 vols. 4to. 1809;
considered the Pointed Style as a debased
imitation of the Grecian orders, 41.
16. Letter to the Rev. W. Cole, by H. Wa lpole,
1769; thinks Shrines for Relics were the
real prototypes of the Pointed Stjle, 63.
17. History of Ely, by the Rev. J. Bentham,
1771; derives the origin of Pointed Arches
from the intersection of semi circles in the
" early Norman and Saxon Buildings;" con-
siders it as uncertain " when they were in-
vented, or where first taken notice of," 52.
18. History of Italian Literature, by G. Tira-
boschi, 1771; supposed that a kind of
Architecture alluded to by Cassiodorus may
have resembled the Pointed Style, 36.
19. Antiquities of England, 8fc. by Francis
Grose, 1773, narrates the opinions of Wren
and others, without deciding on them, 32.
20. Horda Angel Kynnan, Sfc. by Joseph
Strutt, 1775. The Pointed Style was
probably " brought from abroad by the
Knights who attended the Holy Wars," 51.
21. Principles of Civil Architecture, by an ano-
nymous Italian Writer; approves Bishop
Warburton's hypothesis, and distinguishes
Christian Church Architecture by the terms
Gotica Antica, and Gotica Moderna, 50.
22. Paper in Archceologia, vol. ix. by Governor
Pownall. Pointed Style arose " among
the Northern Nations, by applying the mo-
dels and proportions of timber frame-work
to buildings in stone," 51.
23. Essay in Transactions of the Royal Irish
Academy ,vo\. iii. by Dr. Matthew Young,
1790. Pointed Arches propably adopted
in buildings, with very high roofs, on ac-
count of their superior strength, 67.
24. Discourse prefixed to Plans, Sfc. of the
Church of Batalha, by James Murpijy,
1795; calls the Pointed Style " a system
founded on the principle of the Pyramid:"—
uncertain by whom it was invented, 70.
ARCHITECTURAL ANTIQUITIES.
Wotton, 1624; attributes the invention
of Pointed Architecture to the Goths, or
Lombards, 34. 35.
6. Chronologia Architectonica, MS. about 1656,
by John Aubrey, published in 1762; first
attempt at an arrangement of Styles, Dates,
&c. of Ecclesiastical Architecture, 34.
7. Account of Architects, by John Evelyn,
1697; calls the Pointed Style, Gothic, from
the Goths, 26. 35.
8. Parentalia (1750), by Sir Christopher
Wren, who died in 1723; supposes the
Saracens invented the Pointed Style, which
he calls Saracenic, 26. 43.
9. Essay in Archceologia, vol. i. and Itinerarium
Curiosum, 1724, 1726, by Dr. W. Stuke-
ley, 1755; says the Pointed Architecture
was brought originally from Arabia; and
the Style should be called the Arabian
Manner:—that this Arabian Architecture
and slender Pillars are taken from the groves
sacred to religion, " those verdant cathedrals
of antiquity;"—says Pointed Arches, &c.
came from France to England, 48.
10. Letter to Dr. Wharton, by Thomas Gray,
who died in 1771 ; opposes the opinion that
the Pointed Style came from the East, 61.
11. Observations on Southwell Church, MS. by
James Essex, who died in 1784; states the
Gothic Architects were led to the use of the
Pointed Arch by " the practice of vaulting
upon bows, and sometimes covering with
such vaults irregular spaces," 63. 65.
12. Sotes to Pope's Moral Essays, by Bishop
Warburton, 1760. The Goths, " by the
assistance of Saracen Architects, struck out
a new species of Architecture, which can
alone be truly called the Gothic Style,"—
originated from arcades formed by the branches
of trees, 49.
13. Ornaments of Churches considered, by Dr.
Thomas Wilson, 1761; ascribes the origin
of Pointed Architecture to the Age of Theo-
doric, K. of the Ostrogoths, 36.
14. Observations on Spenser's Fairy Queen, by
Thomas Warton, 1763; first public writer
that published a Chronological Arrangement
of Pointed Architecture, which he calls Go-
thic, and dates its commencement about
1200, 27, &c.
15. Letter to Burke, by James Barry, 1768,
published in his Works, 2 vols. 4to. 1809;
considered the Pointed Style as a debased
imitation of the Grecian orders, 41.
16. Letter to the Rev. W. Cole, by H. Wa lpole,
1769; thinks Shrines for Relics were the
real prototypes of the Pointed Stjle, 63.
17. History of Ely, by the Rev. J. Bentham,
1771; derives the origin of Pointed Arches
from the intersection of semi circles in the
" early Norman and Saxon Buildings;" con-
siders it as uncertain " when they were in-
vented, or where first taken notice of," 52.
18. History of Italian Literature, by G. Tira-
boschi, 1771; supposed that a kind of
Architecture alluded to by Cassiodorus may
have resembled the Pointed Style, 36.
19. Antiquities of England, 8fc. by Francis
Grose, 1773, narrates the opinions of Wren
and others, without deciding on them, 32.
20. Horda Angel Kynnan, Sfc. by Joseph
Strutt, 1775. The Pointed Style was
probably " brought from abroad by the
Knights who attended the Holy Wars," 51.
21. Principles of Civil Architecture, by an ano-
nymous Italian Writer; approves Bishop
Warburton's hypothesis, and distinguishes
Christian Church Architecture by the terms
Gotica Antica, and Gotica Moderna, 50.
22. Paper in Archceologia, vol. ix. by Governor
Pownall. Pointed Style arose " among
the Northern Nations, by applying the mo-
dels and proportions of timber frame-work
to buildings in stone," 51.
23. Essay in Transactions of the Royal Irish
Academy ,vo\. iii. by Dr. Matthew Young,
1790. Pointed Arches propably adopted
in buildings, with very high roofs, on ac-
count of their superior strength, 67.
24. Discourse prefixed to Plans, Sfc. of the
Church of Batalha, by James Murpijy,
1795; calls the Pointed Style " a system
founded on the principle of the Pyramid:"—
uncertain by whom it was invented, 70.