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PUNCH, OR THE LONDON CHARIVARI. [September 27, 1»»u.

I'M AFLOAT!"

(Newcastle-on-Ttne Version.)

I'm afloat, I'm afloat on the The Pirate of Elswick shall

coaly black Tyne! r \ not be the sport , , ...
The draft licence sent me I u . r ~\ Of a fussy Commission s ill-
begged to decline; ,—' n ' jimmi ---- tempered Report. . ,,

Though other chaps had'em, ( \^—~. ' 1} J\ _^Bj|(rak To bring me to book is »u

they were not for me; S \ C~ ^rn^~—\ - 'il^dflBHHk ||. <-—- fiddlededee— ,

I prefer a free flag, on the f k. * 1 /' i iilI'm afloat, I'm afloat, and

strictest 0. T. ' IZ^r\ r r*=> f^MKMk/S ' the Rover is free!

A sly "floating factory" - — \ m ^SmMmi^mMM^m. "~- T , , , , 9 Whv

thus I set up ^==v i I / NWWiiP^lW'^m - I contraband, careless r W"?1

(I'm a mixture of Rupert v V \. -fi " i ^^lOII^^^^MKl^^^^- everyone owns ,

the Rover and Krupp). ==\ v \0 M T,/<^> pO? £ Afe*. SfiwS^9«^ Thnt 18 Tlatura • neatv^

At Jarrow Slake moored, my — ' v . 3 // M^^m iW^Si^mtt^^^^l^ „ black flag and cross-bope*'

trim wherry or boit -- v \X •^|W/<>^H^ No mere paltry maker of fare

I rejoiced in, and sang "I'm !\W' / (^m£l&7%M^^i <M^'m ' p works am I,

afloat I I'm afloat!" ^^^gs:. \ \V J-^mMM, / WlM I ^m^SBSMMm W But a llover who/,? XT

For quick-Aries'gunsamain- -''1SSS^, ''^ Ak\\W^m I I Ik ' ^W&W^m\'\m whose sole root is the sKi-

nition I mads, ^^WSr^ I ' ll f 1\ >I^S«f^^^t The law of the land may

Engaging (says Ford) in the - - /JM^221^^* » fll ' l^^^^PraflPlnP ^ petty appal. Qh

contraband trade. — //J^^^ VHi J A .^^^^^SfflfflJSll But inghten the Rover un

An inquest was held, but its -_ / lWKm^^~-Wm>. fM.^/^Si^^^WmK\ ll « n?' n?* ^ n ■ e)m8 or

verdict cleared me. ----- f#^^Mlv^ And ne'er to Commissions or

I'm afloat, I'm afloat, and - VC |l \ W^^Wi-^^^miWiWm w£M?1 1 y« S- Tvne

the Rover is free ! ^/O1 ^■hLvV*- lllllljr jll ' I Sh Jill Whilst there's Black 1}

to back me or Whitehall to

I fear not the Government, J|I|fl|l|l|||||/=S- '^■KSJB^^i^^^jf R't f)!&jiiHitt||llllP shield. .

heed not its law. I I — -ss# Am!*MmiVkHitmI■HB^KMK^ Unfurl the Black ria?i

Much rumpus is made, we M> Wlhrfanggl^^aB^ MMm ™ ffl^WlrlSllj / shake its folds to the wind;

shallhearlots of jaw: H| lp» fltiflMHfrf " «^ I'T M^lMmmfmml And I'11 warrant we'11 bood

An explosion took place on (j^Slj 1 f '-lll'ji ! 'j,^\l$inSM^^~ ' WT leave sea-lawyers behind-

October the third, M| | I fi , Mb NyflfflU WlWHlliiWf Up. up with the flag ^

Hy sly "floating 'factory" ■! 1 1 ^^{wfHHM , rate's licence for me!

blew up like a bird. . ^^^l^^W^rt ^Nhll Jllliirlt /i^ llil ' 1 'm a)loat- 1 'm afloat' &

It killed one poor fellow, and ~ ^^SJU^^mMm FA; cToWIII lllllffi I the Rover is free !

damaged a lot, " " ^>iJllW^^lllKi3l f'^'^rII '"M jjiPP^---

But I am a Great Gun, and ; "\^,^iX ^IQIKfc' 'If*^" 'IL^^L- Definition of MlUTABi

got oft like a shot ; . "IH ^'IMK MANffiuviiES. —" Peace-

lndeed all were well, but for -s==s£\ "evXc^lXfV _______— -^fU-^_ wn,.i, "

cold Colonel Fosd, ;-----■-— —- - - .O^ W0

Who blames me, the Rover! " __. '"„_.".. X- " Daewinites.—" TheEvo

Too bad, on my word! ° J lutionary Squadron."

OUR BOOKING-OFFICE.
Speaking of Reynart the Fox, I was made, by a slip of the prin-
ter s hand—I am accustomed to seeing slips from his hand, which is
quite another thing—to say that this mediaeval romance " presents a
truer picture of life than novels in which vice is punished and virtue
^^?ai Whl Patientiy rewarded." After consider-
^f^9| ' mg for some time what on earth I could

have meant by "patiently rewarded,
I remembered that I had written
'' patently rewarded." The printer put
my "i" out, and without an "i" it
was very difficult to perceive the sense
■'/ of the phrase.

Nutshell Novels, by that crack writer
—no, not " craok'd "—and poet, whose
verses send a frill right through us,
Mr. J. Asjibt-Stekry, are coming out.
Capital title. As Shakspeake says, "Sermons in stones, novels
in nutshells, and good in everything." Shelley's poems might
be brought out in pocketable form under a similar title, Nut-Shelley
Poems. I have not yet seen the volume in question, only heard tell
of it, and should not be surprised to hear that the central novel and
the best was a short military novel, entitled The Kernel. Messrs.
Htjtchinson & Co. are the "publishers. I hope Mr. Stehey has
illustrated them himself. He can draw and paint, but he won't, and
there's an end on't. He must follow up the Nutshells with a volume
of Crackers, about Christmas time.

Just been looking through London Street Arabs, by Mrs. H. M.
Stanley, published by Cassell & Co., which firm—whose tele-
graphic address is " Caspeg, London," and a good name too—writes
to the Baron thus:—"Jn forwarding you an early copy"— small
and early—'' of Mrs. Stanley's book, we wilt ask you to be good
enough "—(" I am ' good enough' " quoth the Baron)—" to confine
your extracts frop: the Introduction to an extent not exceeding one-
third of the tohole."_ " Willingly, my dear ' Caspeg,' " replies the
Baron, who does not like being dictated to. and, to gratify your wish to
the utmost, he will make no extracts at all from the book, a proceed-
in? which ought mightily to deliaht "Caspeg, London." What next?
Will publishers send to the Baron, and request him not even to

breathe the nameB of their books ? By all means. He has no obje<
tian, as, whether sent to him tor review, or purchased by him P_u"''
se distrait e, the Baf on only mentions those he likes, or, if he mentioj'-
those he dislikes, 'tis pro bono publico, and there's an end on
Mrs. Stanley appreciates humour, as the following anecdote wij

show-But, dear me, the Baron is forgetful—he begs " Caspeg s

pardon; he mustn't quote. Mrs. Stanley can be truly sympathetr

with sorrow, as the following story proves-no, "Caspeg,' tft.

story must nut follow. Never mind—the Baron's dear readers wli_
read it for themselves if they feel "so dispoged." The Baron suppose^
that all this was written and drawn while Mrs. Stanley was Mis*
Dorothy Tennant, because her recorded opinion, probably, a'
a spinster, is (and here the Baron "quotes" not, but "alludes h
that you can find better artistic material in this line at home, tna|
you can obtain by seeking it abroad; yet when she married, 01
she went to Milan, Venice, and so forth. For pleasure, of course_
not work; but work to her is evidently pleasure. May happinest
have accompanied her everywhere! The drawings are pretty, rathei
of the goody-good " Sunday-at-home-readings" kind of illustra-
tions. And what on earth has a sort of pictorial advertisement f°r
'' Somebody's Soap " got to do with Street Arabs ? Washed A shore.
or, Sappy At Last," might be the title of this mer-baby picture
in which two naked children, not Street Arabs, or Arabs of an>
sort, are depicted as examining the inanimate body of a nondescriP
creature, half flesh and half fish, which has been thrown up by t"e
waves "to be left till called for" by the next high-tide, when,
perhaps, its sorrowing parents, Mr. and Mrs. Merman, or
widowed mother, Mrs. Merwoman, arrayed in sea-" weeds," nraj
come to claim it and give it un-christian burial. But that to
Baron, out of deference to the wishes of " Caspeg, London," doe
not like to quote one single line, he could give Mrs. Stanley's owd
account of how this picture of the Mer-baby eime to be include
in the Street Arab Collection. For such explanation the Baron
refers the reader to the book itself. " Caspeg," farewell! ,
I have, the Baron says, commenced the first pages of The LaS
Days of Palmyra. Good, so far; but several new books have com
in, and Palmyra cannot receive my undivided attention, says

The Baron de Book-Wobms.
P.S. —My faithful " Co." has been reading Ferrers Court, by JoB^
Stk-ange Winter, author of BootWs Baby and a number of othe"
Image description

Werk/Gegenstand/Objekt

Titel

Titel/Objekt
Punch
Weitere Titel/Paralleltitel
Serientitel
Punch
Sachbegriff/Objekttyp
Grafik

Inschrift/Wasserzeichen

Aufbewahrung/Standort

Aufbewahrungsort/Standort (GND)
Universitätsbibliothek Heidelberg
Inv. Nr./Signatur
H 634-3 Folio

Objektbeschreibung

Maß-/Formatangaben

Auflage/Druckzustand

Werktitel/Werkverzeichnis

Herstellung/Entstehung

Künstler/Urheber/Hersteller (GND)
Reed, Edward Tennyson
Atkinson, John Priestman
Entstehungsdatum
um 1890
Entstehungsdatum (normiert)
1880 - 1900
Entstehungsort (GND)
London

Auftrag

Publikation

Fund/Ausgrabung

Provenienz

Restaurierung

Sammlung Eingang

Ausstellung

Bearbeitung/Umgestaltung

Thema/Bildinhalt

Thema/Bildinhalt (GND)
Satirische Zeitschrift
Karikatur

Literaturangabe

Rechte am Objekt

Aufnahmen/Reproduktionen

Künstler/Urheber (GND)
Universitätsbibliothek Heidelberg
Reproduktionstyp
Digitales Bild
Rechtsstatus
Public Domain Mark 1.0
Creditline
Punch, 99.1890, September 27, 1890, S. 148

Beziehungen

Erschließung

Lizenz
CC0 1.0 Public Domain Dedication
Rechteinhaber
Universitätsbibliothek Heidelberg
 
Annotationen