Studio: international art — 2.1894
Zitieren dieser Seite
Bitte zitieren Sie diese Seite, indem Sie folgende Adresse (URL)/folgende DOI benutzen:
https://doi.org/10.11588/diglit.17189#0145
DOI Heft:
No. 10 (January, 1894)
DOI Artikel:Drawing for reproduction: lithographic chalk on Michallet and Lalanne papers
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.17189#0145
Drawing for Reproduction
an inch—are almost imperceptible in the Study of
Trees, but are less apparent in the Advancing
Twilight. This shows that the lines have more
prominence when running perpendicularly than
when lying horizontally across a drawing; and,
piece, and while in the sketch, A Sussex Lane,
no lines are visible, in that of Beachy Head they
are just perceptible. This difference, however,
is simply a matter of right and wrong sides, Beachy
Head being drawn on the right side and the other
"BEACHY HEAD." FROM A DRAWING ON MICHALLET PAPER (8J X5A)
"ADVANCING TWILIGHT." FROM A DRAWING 'ON. LALANNE PAPER (ioi X 6)
further, that persistent working tends to fill and on the reverse or wrong. Certainly the cross-lines
hide them. • appear less obtrusive on the wrong side of either
The piece of Michallet used was a rather smooth paper, therefore should the artist desire to avoid
J33
an inch—are almost imperceptible in the Study of
Trees, but are less apparent in the Advancing
Twilight. This shows that the lines have more
prominence when running perpendicularly than
when lying horizontally across a drawing; and,
piece, and while in the sketch, A Sussex Lane,
no lines are visible, in that of Beachy Head they
are just perceptible. This difference, however,
is simply a matter of right and wrong sides, Beachy
Head being drawn on the right side and the other
"BEACHY HEAD." FROM A DRAWING ON MICHALLET PAPER (8J X5A)
"ADVANCING TWILIGHT." FROM A DRAWING 'ON. LALANNE PAPER (ioi X 6)
further, that persistent working tends to fill and on the reverse or wrong. Certainly the cross-lines
hide them. • appear less obtrusive on the wrong side of either
The piece of Michallet used was a rather smooth paper, therefore should the artist desire to avoid
J33