Studio: international art (30.1904)

Mount Street School of Art, Liverpool

modelled panel : "the apocalypse "

by violet brunton

breadth of effect, and the student makes the
stencil direct from the model.

Single-plate or double-plate stencils may be cut.
With two plates a greater range of values can be
secured, especially when toned papers are used for
the printing.

Some of the stencil studies by Gilbert Rogers
were among the best examples of this method of
work shown. It has a wide application to design

These stencil designs are well adapted for silk
and other fabrics in portieres and similar hangings.
Among these there were good compositions by
Florence Laverock, Lilian Gilmour and Gilbert
Rogers in the exhibition.

Albert Dodd's design for a stencilled portiere,
which obtained a gold medal in the National
Competition, 1902, exemplified the broad and
simple drawing essential to stencil cutting.

In the colour printing was noticeable the same

modelled panel : "the finding of moses

where economical reproduction is necessary. by violet brunton

quality of broad effect,
and Florence Laverock's
Days of the Week con-
firmed our opinion of
the value of this elimi-
native treatment in decora-
tion.

Constance Read's The
twa Corbies has already
been appreciably noticed
in The Studio article upon
the National Competition
of Schools of Art, 1902,
and the favourable opinion
of it may be repeated. The
example of this subject
altar panel in coloured relief by kate fisher shown in the exhibition was

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